DRAFT Curriculum Vitae

Stanley E. Gontarski

Last Revised: March 13, 2026

General Information

University address:	Literature, Media, Culture
English
College of Arts and Sciences
Williams Building 430
Florida State University
Tallahassee, Florida 32306-1580
Fax: 850-644-0811

E-mail address:	sgontarski@fsu.edu

Web site:	https://english.fsu.edu/faculty/s-e-gontarski

Professional Preparation

1974	Ph. D., Ohio State University-Main Campus. Major: English. Modernist literature and theater. Supervisor: Prof. Gordon Grigsby. 

Stanley E. Gontarski. (1974). Shaping the Mess: The Composition of Samuel Beckett's "Happy Days". Unpublished doctoral dissertation, Ohio State University-Main Campus. Retrieved from https://catalogue.nli.ie/Record/vtls000126850. 

1968	M. A., Long Island University. Major: English, Theater. Supervisor: Dr. Julian Mates. 

Stanley E. Gontarski. (1968). Albee and the Absurd. Unpublished master's thesis, Long Island University. 

1966	B. A., Long Island University, C. W. Post College. Major: English, Theater. 

Professional Experience

1988–present	Professor, English, Florida State University. 

1986–1988	Distinguished Visiting Professor of Comparative Literature and Classics, Comparative Literature and Classics, California State University--Long Beach. 

1984–1986	Associate Professor and Co-chair Film and Drama Program, English, Theater, Georgia Institute of Technology. 

1980–1984	Associate Professor of English, English, The Ohio State University (Lima). 

1982–1983	Visiting Associate Professor, University of California, Riverside. 

1974–1980	Assistant Professor of English, English, The Ohio State University (Lima). 

1966–1969	Instructor, English, New York Institute of Technology, Brookville. 

Visiting Professorship(s)

2012	Professor vistante, PROGRAMA DE PÓS-GRADUAÇÃO EM PERFORMANCES CULTURAIS: TEORIAS E PRÁTICAS DA PERFORMANCE, Universidade Federal de Goiás (UFG) e Universidade Federal da Paraíba (UFPB) (2012) http://ufg.academia.edu/RobsonCamargo/Teaching/30975/Performances_Culturais_-_Mestrado_Interdisciplinar_Universidade_Federal_de_Goias http://buscatextual.cnpq.br/buscatextual/visualizacv.do?metodo=apresentar&id=K4364481U. 

2006	Visiting Research Professor of Theoretical Studies of Theatre (Western/Comparative Theatre Studies) at the 21st Century COE [Center of Excellence] Institute of Theatre Research and The Tsubouchi Memorial Theatre Museum, Waseda University, Tokyo. 

1998	Senior Fulbright Professor of American and Irish Studies, National University of Ireland, University College, Dublin, Ireland. 

1994	William Evans Professor, School of Humanities, University of Otago, Dunedid, New Zealand. 

1994	Distinguished Visiting Professor, Samuel Beckett Centre for Drama and Theatre Studies and the School of English, University of Dublin, Trinity College. 

1986–1988	Distinguished Visiting Professor of Comparative Literature and Classics, California State University–Long Beach. 

1984	Senior Fulbright professor, Australia, New Zealand. 

1982–1983	University of California, Riverside, Visiting Associate Professor. 

Artist/Designer in Residence

1986	Artist–in–Residence, Djerassi Foundation, 1986. 

Honors, Awards, and Prizes

FSU "Guardian of the Flame Faculty Award", FSU Burning Spear Society (2016). 
Honorary Patron, Samuel Beckett Research Group, University of Gdańsk, Poland (2015). ($0). 
Resident Fellow, Bogliasco Foundation, Ligurian Study Center for the Arts and Humanities, Bogliasco, Italy, Bogliasco Foundation (2011). 
Rockefeller Foundation Resident Scholar, Villa Serbelloni, Bellagio, Italy (2001). 
Patron, Samuel Beckett Foundation, Samuel Beckett Foundation,University of Reading, UK (2000). 
Fulbright Professor of American and Irish Studies, National University of Ireland, University College, Dublin, Ireland, 1998-9, Fulbright Scholar Programs (1998). 
National Endowment for the Humanities Fellowship for University Teachers, National Endowment for the Humanities (1993). 
American Council of Learned Societies travel grant, American Council of Learned Societies (1986). ($2,500). 
Fulbright Professor Griffith University , Brisbane, AU; and University of Melbourne, AU, Fulbright Scholar Program (1984). 
Georgia Tech Foundation Research Foundation, research grant, Georgia Tech Foundation Research Foundation (1984). 
Intercountry Travel Grant from the New Zealand–United States Educational, New Zealand-United States Educational Foundation (1984). 
Grant: Ohio Arts Council, 1981 (for production of "Ohio Impromptu" and sabbatical) The Ohio State University, Grant: Ohio Arts Council, 1981 (for production of "Ohio Impromptu" and sabbatical), The Ohio State University, spring 1980 (1981). ($2,500). 
The Ohio State University Graduate School Small Grants Program and Summer Research Grants, The Ohio State University Graduate School (1975). ($2,500). 

Teaching

Courses Taught

Modernism (LIT4714)
Studies in Irish and/or Scottish Literature (LIT5186)
Issues in Literary and Cultural Studies (ENG5079)
Modern British Literature (ENL4273)
Directed Individual Study (ENG4905)
Modern Drama (LIT3043)
Senior Seminar in Literature (ENG4934)
Studies in 20th-Century British Literature (ENL5276)
Tutorial in English (ENG5998)
Directed Individual Study (ENG5906)
Irish Literature (LIT4184)
Understanding Theory and Criticism (ENG3014)
Studies in Critical Theory (ENG5049)
Introduction to Literature (LIT2000)
Prelim Reading Hours (ENG6907)
Studies in U.S. Literature Since 1875 (AML5027)
Topics in Publishing (ENG5835)
Drama Workshop (CRW4420)
Honors Thesis (ENG4936)
Topics in English (ENG5933)
Dramatic Technique (CRW3410)
Speakers in English Studies (ENG5935)
Studies in Drama (LIT5047)
Introduction to Shakespeare (ENL3334)
Issues in Publishing (ENG4834)
Humanities: Special Topics (HUM3930)
American Theatrical Masterpiec (LIT4044)
Will. Burr. Dig. Hum. Research (ENG5998)
Post WWII Novels (ENG5906)
Studies in English (ENG4932)
Film Noir (ENG4934)
M.A. Capstone Defense (ENG5835)
Readings in Dramatic Literature (LIT4044)
American Theatrical Masterpiec (LIT3043)
Directed Readings (ENG6907)
Capstone Defense (ENG5835)
Studies in Deleuze (ENG5906)
Burroughs & Beiles Research (ENG5906)
Deleuze & Performance (ENG5906)
HONORS IN THE MAJOR SEMINAR (ENG4938)
British Drama: History, Text, and Criticism (ENL3184)
Shakespeare (ENL4333)
Topics in English (ENG3931)
Internship in Editing (ENC5945)
Honors Work (ENG4996)
Topics in Editing (ENC5217)
Tutorial in English (ENG4996)
The Modern British Novel (ENL4132)
Topics in the Civilization of Britain or Italy (HUM4931)
Seminar in English (ENG6939)
Article and Essay Workshop (ENC3310)
Seminar Topics (HUM6939)

Doctoral Committee Chair

Ryn McHale, graduate. (2024). MODERNISM AT WORLD'S END: MODERNISM, POSTHUMANISM, AND THE ANTROPOCENE. 
Camille Goncalves Vilela dos Santos, graduate. (2022). "Joyce in the Tropics: An Analysis of Brazilian Translations of Ulysses,". 
Christopher Michaels, graduate. (2020). Terraforming Modernism. 
Lee Patterson, graduate. (2020). THE DOUBLE IN THE MODERN MIRROR:    REFLECTING 20TH CENTURY DRAMA IN ARTAUDIAN IMAGES OF THOUGHT. 
Stricklin, R. B., graduate. (2017). "Overwriting Literature and other Acts of Cultural Terrorism in the Control Era,". 
Delgado Gonzalez, A., graduate. (2014). "The Realm of Questions: Uncertainties and Paradoxes in Modernism,". 
Syrjanen, S. A., graduate. (2014). "Clearing Space for Our Own Voices: The (Re) Writings of Zadie Smith, Jeanette Winterson, and Emma Tennant.". 
Ardoin, P. G., graduate. (2014). "Smitten with Excess of Thought, and Laid Prostrate with Wonder!": Sensation, Sentiment, Stupefaction, and Sleepwalkers.". 
Mattison, L. J., graduate. (2013). "From Modernism to Transnationality: Virginia Woolf, H.D., Yoko Tawada and Ethical Subjectivity,". 
Appling, L. T., graduate. (2010). "Pastoral Politics: Religious Figures and Ideological Construction in Modern American Drama,". 
Anderson, D. R., graduate. (2010).
McFeaters, A. V., graduate. (2010).
Willits, C. G., graduate. (2003).
Vilela-Jones, C., graduate. (2002). Joyce in the Tropics: An Analysis of Brazilian Translations of Ulysses. 
Bledsoe, E. M., doctoral candidate. 

Doctoral Committee Cochair

Bevilacqua, T. H., doctoral candidate. 

Doctoral Committee Member

Raschke, D. S., graduate. (2024). Denoising Modernism: Literary Modernism and Technology in the Entropocene. 
McKee, A. R., graduate. (2015).
Higgs, C. D., graduate. (2014).
Ortolano, S., graduate. (2013).
Suver, S. A., graduate. (2012).
Curtis, C. A., graduate. (2010).
Robinson, B. C., graduate. (2009).
Woodward, J. A., graduate. (2009).
Chevaillier, F., graduate. (2008).
George, B. L., doctoral candidate. 
Lakey, F., doctoral candidate. 
Lenz, B. A., doctoral candidate. 
Wagoner, M. M., doctoral candidate. 
Walker, A. S., doctoral candidate. 
Nooney, H. A., doctoral candidate. 
Cowan, T. P., doctoral candidate.  William Burroughs and I: Tales of Esotericism, Criticism, and Divine Evil. 
Rodriguez, A. D., doctoral candidate.  COMPUTATIONALLY TRACTABLE HUMANITIES:  LINGUISTIC, BIBLIOGRAPHIC, AND BIT CODES  IN THE HISTORY OF TEXT TECHNOLOGIES. 
Sriya Chakraborty, doctoral candidate.  I Breathe Therefore I Am': Post-War Lyric Subjectivity and the Poet(h)ics of Breath. 
Tooley, T. C., doctoral student. 

Doctoral Committee University Representative

Dyckman, I. J., graduate. (2007).

Master's Committee Chair

Dufoe, J. R., graduate. (2022). Being Unreconciled: On the Creative Destruction of Gilles Deleuz. 
Gabor, D., graduate. (2015).
Michaels, C. B., graduate. (2015).
Oxner, A. L., graduate. (2014).
Moraghan, M. J., graduate. (2011).

Master's Committee Member

Howard, S. T., graduate. (2015).
Roth, V. H., graduate. (2014).
Hughes, C. A., graduate. (2013).
Bledsoe, E. M., graduate. (2012).
Varner, C. H., graduate. (2009).

Research and Original Creative Work

Guest Director, Magic Theater, San Francisco, September 1986: The Beckett Vision: Rough for Theater, I, The Old Tune (English Language stage premiere), Ohio Impromptu, What Where (English Language premiere of revised text).  [Filmed for television by Global Village Productions, 1987. Commercial release 1995 as "Peephole Art: Beckett for Television," WUSTL Digital Gateway Image Collections & Exhibitions, http://omeka.wustl.edu/omeka/items/show/14905.  See also "Peephole Art": https://mediaburn.org/video/peephole-art-beckett-for- television/]. 

Program of Research and/or Focus of Original Creative Work

Film showing: three videos: What Where, Ohio Impromptu, Rough for Theatre, I by Samuel Beckett, directed by Stan Gontarski. "The Beckett Festival," Dublin, Ireland, 1–20 October 1991; part of the Dublin Theatre Festival and the Dublin Year of Culture. In continuous showing at the "A–V Exhibition.". 

Publications

Refereed Journal Articles

Gontarski, S. E. (2026). Surrealism Re-viewed:  L'ésprit surréaliste. Humanities, Literature in the Humanities, 15, 3, 42. Retrieved from https://www.mdpi.com/2076-0787/15/3/42 doi:doi.org/10.3390/h15030042

Gontarski, S. E. (2025). A Theatre Of Boredom And Theatrical Distrust:  (André Gregory, Chekhov And Beckett). The Theatre Times, NA, NP. Retrieved from https://thetheatretimes.com/a-theatre-of-boredom-and-theatrical-distrust-andre-gregory-chekhov-and-beckett/ doi:https://thetheatretimes.com/a-theatre-of-boredom-and-theatri

Gontarski, S. E. (2025). Who Wrote Godot?, or Beckett's Bad Quartos. Skenè: Journal of Theatre and Drama Studies, 11, 2, 14. Retrieved from https://skenejournal.skeneproject.it/index.php/JTDS/article/view/498 doi:https://doi.org/10.13136/yfmscd18

Gontarski, S. E. (2025). "Well, cut my legs off and call me Shorty": Flann O'Brien, the American Mythos and Its Argot. Studi Irlandesi: A Journal of Irish Studies, 15, 117-124. Retrieved from https://www.proquest.com/docview/3239311195/abstract?sourcetype=Scholarly%20Journals doi:DOI:10.36253/SIJIS-2239-3978-16598

Gontarski, S. E. (2024). On Fragments: A Piece of Art and the "I" – or Not. Fabrica Litterarum Polono-Italica, 2, 8, NP. Retrieved from https://www.fabrica.us.edu.pl/?p=4452&lang=en doi:10.31261/FLPI.2024.08.10

Gontarski, S. E. (2024). "Disjecta Membra": em torno dos escritos críticos de Samuel Beckett. Literatura e Sociedade: Departamento da Teoria Literári e Literatura Comoparada da USP, 39, 14. Retrieved from https://repository.lib.fsu.edu/islandora/object/fsu:1029471 doi:https://purl.lib.fsu.edu/diginole/fsu_oa_articles_2024_228

Gontarski, S. E. (2024). Bob's Beat: Dylan, a Poet among Poets. Arizona Quarterly: A Journal of American Literature, Culture, and Theory, 80, 3, 1-41. Retrieved from https://muse.jhu.edu/issue/53639 doi:doi.org/10.1353/arq.2024.a941979

Gontarski, S. E. (2023). A Theatre of Elsewhere. The Theatre Times, NP. Retrieved from https://thetheatretimes.com/a-theatre-of-elsewhere/

Gontarski, S. E. (2023). Przestrzeń teatralna Becketta:  splatanie nażywości i mediatyzacji"[Beckett's Theatrical Space:  An Intersection of Liveness and Mediatization]. Tekstualia, 1, 72, 71-84. Retrieved from https://tekstualiascience.com/article/536872/pl doi:DOI:10.5604/01.3001.0053.6872

Gontarski, S. E. (2023). A Cabinet of Curiosities: Bad Godots and Lucky's Brain Science. Modernism / modernity, 7, NP. Retrieved from https://modernismmodernity.org/articles/gontarski-cabinet-curiosities-bad-godots-brain-science doi:https://doi.org/10.26597/mod.0247

Gontarski, S. E. (2023). Beckett's Theatrical Space: An Intersection of Liveness and Mediatization. Tekstualia, 1, 72. Retrieved from https://tekstualiascience.com/article/536872/en doi:DOI:10.5604/01.3001.0053.6872

Gontarski, S. E. (2023). Wilder's Joyce: Inspiration, Borrowing, Appropriation, Plagiarism / O Joyce de Wilder: Inspiração, empréstimo, apropriação, plágio. ABEI Journal: The Brazilian Journal of Irish Studies. (James Joyce issue), 25, 1, 29-46. Retrieved from https://doaj.org/article/72661c42cab345a0a9d4b7793dfb32dc doi:https://www.revistas.usp.br/abei/ar

Gontarski, S. E. (2022). A Wilder Joyce: Influence, Borrowing, Appropriation, Theft. Open Library of Humanities, 8, 2, NP. Retrieved from https://olh.openlibhums.org/article/id/8982/ doi:https://doi.org/10.16995/olh.8982

Gontarski, S. (2021). Beckett's Dystopian Trilogy Part I: The Irrelevance of Godot. Acta Universitatis Lodziensis, Folia Litteraria Polonica, 4.63, 7-15. Retrieved from https://czasopisma.uni.lodz.pl/polonica/article/view/13339/12944 doi:http://hdl.handle.net/11089/42095

Gontarski, S. E. (2021). Tennessee Williams's Creative Frisson, Censorship, and the Queering of Theatre. New Theatre Quarterly, 37(1), 82-99. Retrieved from https://www.cambridge.org/core/journals/new-theatre-quarterly/article/abs/tennessee-williamss-creative-frisson-censorship-and-the-queering-of-theatre/4693BED529A4F9D246935CDC1AF2C36B doi:doi:10.1017/S0266464X20000810

Gontarski, S. (2020). The Theater is Always Dying. Acta Universitatis Lodziensis. Folia Litteraria Polonica, 59,4, 191-209. Retrieved from https://doi.org/10.18778%2F1505-9057.59.11 doi:10.18778/1505-9057.59.11

Gontarski, S. E. (2020). The "Limits of Control": Burroughs through Deleuze. symploke: a journal for the study of interrelations among philosophy, literature, culture criticism and intellectual history, 18, 1-2, 65-81. Retrieved from https://www.jstor.org/stable/10.5250/symploke.28.1-2.0065 doi:https://doi.org/10.5250/symploke.28.1-2.0065

Gontarski, S. E. (2020). T-Shirt Modernism and the Performance of Masculinity: The Theatrical Refashionings of Tennessee Williams and William Inge. Arizona Quarterly: A journal of American literature, culture and theory, 76, 4, 1-28. Retrieved from https://repository.lib.fsu.edu/islandora/object/fsu:1059419 doi:https://muse.jhu.edu/article/775309/pdf

Gontarski, S. E. (2020). Weaponized Aesthetics and Dystopian Modernism: Cut-ups, Playbacks, Pick-ups, and the 'Limits of Control' from Burroughs to Deleuze. Deleuze and Guattari Studies, 14, 4, 555-584. Retrieved from https://philpapers.org/rec/GONWAA doi:https://www.jstor.org/stable/48618137

Gontarski, S. E. (2020). William S. Burroughs and the Posthuman. American Book Review, 41, 3, 8-9. Retrieved from https://muse.jhu.edu/pub/124/article/751438

Gontarski, S. E. (2019). Beckett's papers, foul and fair. The Beckett Critical Reader: Archives, Theories and Translations, 1-12.

Gontarski, S. E. (2019). Refiguring, revising and reprinting: The lost ones. The Beckett Critical Reader: Archives, Theories and Translations, 131-134.

Gontarski, S. E. (2018). Ballocksed, Banjaxed or Banjoed: Textual Aberrations, Ghost Texts, and the British Godot. Journal of Modern Literature ("Literary Genesis and Reception" issue). 41.4 (summer 2018): 48-67, 41, 4, 48-67. Retrieved from https://muse.jhu.edu/pub/3/article/705426 doi:10.2979/jmodelite.41.4.04

Gontarski, S. E. (2018). Ghosts of Love: Ohio Impromptu and … but the Clouds …. Samuel Beckett Today/Aujourd'hui., 30, 2, 167-178. Retrieved from https://www.jstor.org/stable/26552595 doi:https://brill.com/view/journals/sbt/30/2/article-p167_3.xml

Gontarski, S. E. (2016). The Materialization of Absence: Beckett's Neural Theatre. Dramaturgias, 1(2-3). Retrieved from https://doi.org/10.26512%2Fdramaturgias.v1i2-3.8783 doi:10.26512/dramaturgias.v1i2-3.8783

Gontarski, S. E. (2016). A Materialização da Ausência: O teatro Neural de Beckett. Revista do Laboratório de Dramaturgia, Laboratório de Dramaturgia e Imaginação Dramática (LADI), I.2,3, xx-xx. Retrieved from http://periodicos.unb.br/index.php/dramaturgias/article/view/21915

Gontarski, S. E. (2016). Creative involution: Bergson, beckett, deleuze. Deleuze and Beckett, 36-59.

Gontarski, S. E. (2016). Lee breuer and mabou mines. Contemporary American Theatre, 135-148.

Gontarski, S. E. (2016). The journal of Beckett studies in stages: 40 years and counting. Journal of Beckett Studies, 25(1), 5-8.

Gontarski, S. E. (2015). A Period of Adjustment: Zelda Fitzgerald among Tennessee's Woman. Književna istorija [Literary History], 47, 156, 201-210. Retrieved from https://www.ceeol.com/search/article-detail?id=528501 doi:https://www.ceeol.com/search/article-detail?id=528504

Gontarski, S. E. (2015). A Streetcar Named Desire in Performance: 'I Don't Want Realism'. Književna istorija [Literary History], 47, 156, 181-200. doi:https://www.ceeol.com/search/article-detail?id=528501

Gontarski, S. E. (2015). Creative Involution: Bergson, Beckett, Deleuze. Creative Involution: Bergson, Beckett, Deleuze, 1-196.

Gontarski, S. E. (2015). Samuel Beckett and the 'idea' of theatre: Performance through Artaud and Deleuze. The New Cambridge Companion to Samuel Beckett, 126-142. Retrieved from https://www.cambridge.org/core/books/new-cambridge-companion-to-samuel-beckett/C2624093D6A04AE3D0C54E0A3CFACB49

Gontarski, S. E. (2015). Samuel Beckett: Hacia una crítica menor. Beckettiana: Cadornos del Seminario Beckett, No. 4, 7-17. Retrieved from http://revistascientificas.filo.uba.ar/index.php/Beckettiana/article/view/3763/3411

Gontarski, S. E. (2015). Still at Issue after All These Years: The Beckettian Text, Printed and Performed. Journal of Beckett Studies. 24.1 (winter 2015): 105-115, 24, 1, 105-115. Retrieved from https://www.cambridge.org/core/books/abs/beckett-matters/still-at-issue-after-all-these-years-the-beckettian-text-printed-and-performed/0A15617F6800A5076FC59BD7237A6904 doi:https://www.jstor.org/stable/26471203

Ardoin, P., Gontarski, S. E., & Mattison, L. (2014). Introduction: Gilles Deleuze and the Staging of Philosophy. Understanding Deleuze, Understanding Modernism, 1-7.

Gontarski, S. E. (2014). Introduction: Towards a minoritarian criticism - The questions we ask. The Edinburgh Companion to Samuel Beckett and the Arts, 1-13.

Gontarski, S. E. (2014). 'Ruse a by': Watt, the rupture of the everyday and transcendental empiricism. The Edinburgh Companion to Samuel Beckett and the Arts, 345-352. Retrieved from https://edinburghuniversitypress.com/book-the-edinburgh-companion-to-samuel-beckett-and-the-arts.html

Ardoin, P., Gontarski, S. E., & Mattison, L. (2014). Series Preface: Understanding Philosophy, Understanding Modernism. Understanding Deleuze, Understanding Modernism, xiii-xiv.

Gontarski, S. E. (2014). The Edinburgh Companion to Samuel Beckett and the arts. The Edinburgh Companion to Samuel Beckett and the Arts, 1-504.

Ardoin, P., Gontarski, S. E., & Mattison, L. (2014). Understanding Deleuze, Understanding Modernism. Understanding Deleuze, Understanding Modernism, 1-284.

Gontarski, S. E. (2014). What is Philosophy?: ?To play it again on a new stage? Understanding Deleuze, Understanding Modernism, 110-120.

Gontarski, S. E. (2012). Reinventing beckett. Reading Modern Drama, 135-156.

Gontarski, S. E. (2011). "'What it is to have been': Bergson and Beckett on Movement, Multiplicity, and Representation,". Journal of Modern Literature, XXXIV.2, 65-75.

Gontarski, S. E. (2011). "Per essere amati meglio morire: Williams tra censura oblio.". Hystrio: Trimestrale di teatro e spettacolo, XXIV. 4, 40-41.

Gontarski, S. E. (2011). "Obnovení Beckettova bergsonismu,". Beckett – filosofie a literatura, v.v.i, 15-32.

Gontarski, S. E. (2011). A Centenary of Missed Opportunities: A Guide to Assembling an Accurate Volume of Samuel Beckett's Dramatic 'Shorts'. Modern Drama, 65, 3, 357-382. Retrieved from https://www.cambridge.org/core/books/abs/beckett-matters/century-of-missed-opportunities-editing-an-accurate-edition-of-becketts-shorts-and-other-textual-misadventures/45AC48E841EE3E3E1D37E6FEBD18E880 doi:https://www.jstor.org/stable/26471203

Gontarski, S. E. (2011). 'What It Is to Have Been': Bergson and Beckett on Movement, Multiplicity and Representation. Journal of Modern Literature, 34, 2, 65-75. Retrieved from https://www.jstor.org/stable/10.2979/jmodelite.34.2.65 doi:https://muse.jhu.edu/article/425406

Gontarski, S. E. (2010). A sense of unending: Samuel Beckett's eschatological turn. Samuel Beckett Today - Aujourd'hui, 21, 135-149.

Gontarski, S. E. (2009). "The Sense of Unending: Samuel Beckett's Eschatological Turn". Samuel Beckett Today / Aujourd'hui, No. 21, 135-149.

Gontarski, S. E. (2009). A Sense of Unending: Samuel Beckett's Eschatological Turn. Samuel Beckett Today / Aujourd'hui, 21, 135-149. Retrieved from https://www.jstor.org/stable/25781901 doi:https://www.jstor.org/stable/25781901

Gontarski, S. E. (2008). Revisando a si mesmo: o espetáculo como texto no teatro de Samuel Beckett. Sala Preta, 8(0), 261-280. Retrieved from https://doi.org/10.11606%2Fissn.2238-3867.v8i0p261-280 doi:10.11606/issn.2238-3867.v8i0p261-280

Gontarski, S. E. (2008). An End to Endings: Samuel Beckett's End Game(s). Samuel Beckett Today / Aujourd'hui), No. 19, 419-429. Retrieved from https://brill.com/display/title/30618 doi:https://www.jstor.org/stable/25781849

Gontarski, S. E. (2008). Samuel Beckett's 'Imbedded' Poetry and the Critique of Genre. Fulcrum: An Annual of Poetry and Aesthetics, No. 6, 478-483.

Gontarski, S. E., & Ackerley, C. (2008). Samuel Beckett's Watt. A Companion to the British and Irish Novel 1945-2000, 225-240.

Gontarski, S. E. (2007). Beckett through the Keyhole: Voyeurism, the Scopophilic Drive, and the Appeal of Theatre. Litteraria Pragensia: Studies in Literature and Culture, XVII.33, 63-72. Retrieved from http://litteraria-pragensia.ff.cuni.cz/front.issue/detail/18

Gontarski, S. E. (2007). Beckett through the Keyhole: Voyeurism, the Scopophilic Drive, and the Appeal of Theatre. Litteraria Pragensia: Studies in Literature and Culture, 17, 33, 63-72. doi:https://funartemaisdigital.funarte.gov.br/periodicos/keyhole

Gontarski, S. E. (2007). Beckett repositioned in history,Beckett resitué dans l'histoire. Samuel Beckett Today - Aujourd hui, 17, 231-246.

Gontarski, S. E. (2007). Beckett through the Keyhole: Voyeurism, the Scopophilic Drive, and the Appeal of Theatre. Litteraria Pragensia: Studies in Literature and Culture, 17.33, 63-72. Retrieved from http://litteraria-pragensia.ff.cuni.cz/front.issue/detail/18 doi:http://litteraria-pragensia.ff.cuni.cz/front.issue/detail/18

Gontarski, S. E. (2006). Reinventing Beckett. Modern Drama, 49, 4, 428-451. Retrieved from https://doi.org/10.3138%2Fmd.49.4.428 doi:10.3138/md.49.4.428

Gontarski, S. E. (2006). Beckett resitué dans l'histoire. Samuel Beckett Today / Aujourd'hui, No. 17, 231-239. Retrieved from https://brill.com/view/journals/sbt/17/1/article-p231_17.xml doi:https://www.jstor.org/stable/25781761

Gontarski, S. E. (2006). Journal of Beckett Studies' pierwsze trzydzieści lat. Topos, 6, 91, 83-4.

Gontarski, S. E. (2006). Post-Beckett Theatre. Text and Presentation, 2006: The Comparative Drama Conference Series, 3, 5-15. Retrieved from https://searchworks.stanford.edu/view/12921706

Gontarski, S. E. (2006). Reinventing Beckett. Modern Drama (special issue: Samuel Beckett @ 100), 49.4, 427-450. Retrieved from https://utppublishing.com/doi/abs/10.3138/md.49.4.428 doi:https://muse.jhu.edu/issue/11336

Gontarski, S. E. (2006). Viva, Sam Beckett, or Flogging the Avant-Garde. Journal of Beckett Studies, 16, 1-2, 1-11. Retrieved from https://www.jstor.org/stable/e26469666 doi:https://www.jstor.org/stable/26469668

Gontarski, S. E. (2005). The Singing Detective Plays Beckett (Again). Journal of Beckett Studies, 15, 1-2, 242-247. Retrieved from https://doi.org/10.3366%2Fjobs.2006.15.1-2.21 doi:10.3366/jobs.2006.15.1-2.21

Gontarski, S. E. (2005). An Interview with Director Makoto Sato. Journal of Beckett Studies, 15.1 & 2, 186-194. Retrieved from https://www.jstor.org/stable/26468995 doi:https://www.jstor.org/stable/26468995

Gontarski, S. E. (2004). An Art of Incompletion: A Preface. Journal of Beckett Studies, 14, 1-2, 4-6. Retrieved from https://doi.org/10.3366%2Fjobs.2005.14.1-2.3 doi:10.3366/jobs.2005.14.1-2.3

Gontarski, S. E. (2004). An Art of Incompletion: A Preface. Journal of Beckett Studies, 14(1-2), 4-6.

Gontarski, S. E. (2004). Beckett and the Unnamable Voice of (European) Modernism. Journal of Beckett Studies (New Series), 13.2, 150-163. Retrieved from https://www.euppublishing.com/doi/abs/10.3366/jobs.2004.13.2.14 doi:https://www.jstor.org/stable/26468975

Gontarski, S. E. (2002). "Waiting for the Show": Beckettian Performance. Drammaturgia, 9, 9. Retrieved from https://drammaturgia.fupress.net/recensioni/multimedia/pdf/1106dr_92002_gontarsk.pdf doi:https://drammaturgia.fupress.net/recensioni/multimedia/pdf/1

Gontarski, S. E. (2002). Aspettando la rappresentazione: Beckett in scena," trans. by Donatella Tomassone. Drammaturgia, 9, 7-24.

Gontarski, S. E. (2002). Beckett and Performance. Journal of Irish Studies, 17, 89-97. Retrieved from https://www.jstor.org/stable/20533482 doi:https://www.jstor.org/stable/20533482

Gontarski, S. E. (2002). Style and the Man: Samuel Beckett and the Art of Pastiche. Samuel Beckett Today / Aujourd'hui), 12,1, 11-20. Retrieved from https://brill.com/display/title/30611 doi:https://www.jstor.org/stable/25781405

Gontarski, S. E. (2001). The Body in the Body of Beckett's Theater. Samuel Beckett Today / Aujourd'hui), 11, 1, 169-177. Retrieved from https://brill.com/edcollbook/title/30610 doi:https://www.jstor.org/stable/25781367?read-now=1

Gontarski, S. E. (2001). To Όχι στο Τίνοτα: Μια εισαγωγń. ΘΕΑΤΡΟ ΤΟΥ ΝΕΟΥ ΚΕΣΜΟΥ ΝΕΑ ΣΚΗΝΗ ΤΕXΝΗΣ, 39-52.

Gontarski, S. E. (2000). Play it Again, Sam: Beckett in Berlin 2000. Journal of Beckett Studies, 9, 2, 131-133. Retrieved from https://www.jstor.org/stable/e26468900 doi:https://www.jstor.org/stable/26468914

Gontarski, S. E. (1999). Beckett's "Play," in extenso. Modern Drama, 42(3), 442-455. Retrieved from https://doi.org/10.3138%2Fmd.42.3.442 doi:10.3138/md.42.3.442

Gontarski, S. E. (1999). Bowdlerizing Beckett: The BBC Embers. Journal of Beckett Studies, 9(1), 127-132. Retrieved from https://doi.org/10.3366%2Fjobs.1999.9.1.5 doi:10.3366/jobs.1999.9.1.5

Gontarski, S. E. (1999). For Dougald. Journal of Beckett Studies, 8(2), 99-100. Retrieved from https://doi.org/10.3366%2Fjobs.1999.8.2.10 doi:10.3366/jobs.1999.8.2.10

Gontarski, S. E. (1999). Beckett's Play, in extenso. Modern Drama, 42,3, 442-455. Retrieved from https://dialnet.unirioja.es/servlet/articulo?codigo=2439797 doi:https://muse.jhu.edu/pub/50/article/500005/pdf

Gontarski, S. E. (1999). Bowdlerizing Beckett: The BBC Embers. Journal of Beckett Studies, 9,1, 127-132. Retrieved from https://www.euppublishing.com/doi/abs/10.3366/jobs.1999.9.1.5 doi:https://www.jstor.org/stable/26468348

Gontarski, S. E. (1999). For Dougald. Journal of Beckett Studies, 8(2), 99-100.

Gontarski, S. E. (1998). The Demented Particulars. Journal of Beckett Studies, 7(1-2), v-viii. Retrieved from https://doi.org/10.3366%2Fjobs.1998.7.1-2.2 doi:10.3366/jobs.1998.7.1-2.2

Gontarski, S. E. (1998). A Copy-Text for Samuel Beckett's 'All Strange Away'. Journal of Beckett Studies, 8.1, 121-125. Retrieved from https://euppublishing.com/doi/10.3366/jobs.1998.8.1.8 doi:https://www.jstor.org/stable/26468324#:~:text=Press%20text%2

Gontarski, S. E. (1998). Reading Beckett's Reading: The Demented Particulars. Journal of Beckett Studies, 7(1-2), v-viii.

Gontarski, S. E. (1998). Revising Himself: Performance as Text in Samuel Beckett's Theatre. Journal of Modern Literature, 22.1, 131-145. doi:https://www.jstor.org/stable/3831755

Gontarski, S. E. (1998). The World Première of Ohio Impromptu. The Critical Response to Samuel Beckett, 275-77.

Gontarski, S. E. (1997). Staging Himself; Or, Beckett's Late Style in the Theatre. Crossroads and Borderlines, L'Oevre Carrefour/ L'Oeuvre Limite (Samuel Beckett Today/Aujourd'hui), No. 6, 87-97. Retrieved from https://www.jstor.org/stable/25781211

Gontarski, S. E. (1997). The Rosset Era at Grove Press. CUPS: The Café Culture Magazine, 82, 28-31.

Gontarski, S. E. (1997). Unediting Beckett, or Restoring 'The…Ruins'. Journal of Beckett Studies, 6.2, 95-96. doi:https://www.jstor.org/stable/26468270

Gontarski, S. E. (1995). Beckett in London: Winter 1996. Journal of Beckett Studies, 5(1-2), 167-175. Retrieved from https://doi.org/10.3366%2Fjobs.1995.5.1-2.10 doi:10.3366/jobs.1995.5.1-2.10

Gontarski, S. E. (1995). Refiguring, Revising, and Reprinting The Lost Ones. Journal of Beckett Studies, 4(2), 99-102. Retrieved from https://doi.org/10.3366%2Fjobs.1995.4.2.11 doi:10.3366/jobs.1995.4.2.11

Gontarski, S. E. (1995). All's Well That Ends…: Endgame at the Donmar. Journal of Beckett Studies, 5,1 & 2, 199-201. doi:https://www.jstor.org/stable/26468289

Gontarski, S. E. (1995). Beckett in London: Winter 1996. Journal of Beckett Studies, 5,1 & 2, 167-175. doi:https://www.jstor.org/stable/26468285

Gontarski, S. E. (1995). Editing Beckett. Twentieth Century Literature: A Scholarly and Critical Journal 41.2 (summer 1995): 190–207, 41,2, 190-207. doi:https://www.jstor.org/stable/441646?origin=crossref

Gontarski, S. E. (1995). Refiguring, Revising, and Reprinting The Lost Ones. Journal of Beckett Studies, 4, 2, 99-101. doi:https://www.jstor.org/stable/26468257

Gontarski, S. E. (1993). Call That On. Journal of Beckett Studies, 2, 2, iii-vi. Retrieved from https://doi.org/10.3366%2Fjobs.1993.2.2.2 doi:10.3366/jobs.1993.2.2.2

Gontarski, S. E. (1992). We Go On. Journal of Beckett Studies, 2, 1, iii-vi. Retrieved from https://doi.org/10.3366%2Fjobs.1992.2.1.2 doi:10.3366/jobs.1992.2.1.2

Gontarski, S. E. (1992). What Where: The Revised Text. Journal of Beckett Studies (New Series), 2,1, 1-25. Retrieved from https://www.jstor.org/stable/26468071 doi:https://www.jstor.org/stable/26468070

Gontarski, S. E. (1991). The Theater of Theory: Herbert Blau Rethinking Representation. Text and Presentation: The Journal of Comparative Drama Conference, 11, 49-53.

Gontarski, S. E. (1990). An Interview with Michael McClure. The Review of Contemporary Fiction 10.3 (fall 1990):, 10.3, 116-123.

Gontarski, S. E. (1990). Dionysus in Publishing: Barney Rosset, Grove Press, and the Making of a Countercanon. The Review of Contemporary Fiction, 10.3, 7-19.

Gontarski, S. E. (1990). Don Allen: Grove's First Editor. The Review of Contemporary Fiction, 10, 3, 132-136. Retrieved from https://openlibrary.org/books/OL12157519M/The_Review_of_Contemporary_Fiction_(Fall_1990)

Gontarski, S. E. (1990). Last Exit to Brooklyn: An Interview with Hubert Selby. The Review of Contemporary Fiction, 10, 3, 111-115. Retrieved from https://openlibrary.org/books/OL12157519M/The_Review_of_Contemporary_Fiction_(Fall_1990)

Gontarski, S. E. (1990). Lawrence Ferlinghetti on Grove Press. The Review of Contemporary Fiction, 10, 3, 128-131.

Gontarski, S. E. (1990). Olympia and Grove: An Interview with Maurice Girodias. The Review of Contemporary Fiction, 10, 3, 124-127.

Gontarski, S. E. (1990). Working at Grove: An Interview with Gilbert Sorrentino. The Review of Contemporary Fiction, 10,3, 97-110.

Gontarski, S. E. (1989). Roger Blin and Twentieth Century Playwrights by Odette Aslan (review). Modern Drama, 32, 4, 593-596. Retrieved from https://doi.org/10.1353%2Fmdr.1989.0015 doi:10.1353/mdr.1989.0015

Gontarski, S. E. (1988). Interview with Rachel Burrows, Dublin, Bloomsday, 1982. Journal of Beckett Studies, 11 and 12, 1-15. Retrieved from https://www.euppublishing.com/journal/jobs

Gontarski, S. E. (1987). Company for Company: Androgyny and Theatricality in Samuel Beckett's Prose. Beckett's Later Fiction and Drama: Texts for Company, 193-202. Retrieved from https://www.semanticscholar.org/paper/Company-for-company%3A-androginy-and-theatricality-in-Gontarski/17fd52558f0168356eeaa15e65e7e576c2f7cfb1 doi:https://searchworks.stanford.edu/view/1269172

Gontarski, S. E. (1987). What Where II: Revision and Re-Creation. Review of Contemporary Fiction, 7.2, 120-124.

Gontarski, S. E. (1986). Inscenizacja Towarzystwa Becketta. Dialog: Miesiecznik Poswiecony Dramaturgii Wspolczesnej, No. 4(355), 99-102.

Gontarski, S. E. (1986). Ressasser tout ça' avec Pas. Revue D'ésthetique (numéro spécial hors série) (Samuel Beckett issue), hors série, 151-156.

Gontarski, S. E. (1983). The Anatomy of Beckett's "Eh Joe". Modern Drama, 26, 4, 425-434. Retrieved from https://doi.org/10.3138%2Fmd.26.4.425 doi:10.3138/md.26.4.425

Gontarski, S. E. (1983). "Introduction" Special Issue: Samuel Beckett. Modern Fiction Studies (Samuel Beckett Issue). Guest ed. S. E. Gontarski. 29.1 (spring 1983): 3–5, 29,1, 2-152. doi:https://www.jstor.org/stable/i26280032

Gontarski, S. E. (1983). Christopher Miles on His Making of The Virgin and the Gypsy. Literature/Film Quarterly, 11.4, 249-256.

Gontarski, S. E. (1983). Ohio Impromptu gra przeciw tekstowi. Dialog: Miesiecznik Poswiecony Dramaturgii Wspolczesnej, 28,3, 98-101.

Gontarski, S. E. (1983). Text and Pre-Texts of Samuel Beckett's Footfalls. Papers of the Bibliographical Society of America, 77.2, 191-95.

Gontarski, S. E. (1983). The Anatomy of Beckett's Eh Joe. Modern Drama, 26.4, 425-32.

Gontarski, S. E. (1983). The Intent of Undoing in Samuel Beckett's Art. Modern Fiction Studies (Samuel Beckett Issue), 29.1, 5-25. doi:https://www.jstor.org/stable/26281259?typeAccessWorkflow=log

Gontarski, S. E. (1982). Filming Lawrence. Modernist Studies: Literature and Culture 1920–1949 (Special D. H. Lawrence Issue), 4, 87-95.

Gontarski, S. E. (1982). Mark Rydell and the Filming of The Fox: An Interview. Modernist Studies: Literature and Culture 1920–1940 (Special D. H. Lawrence Issue), 4, 96-104.

Gontarski. (1980). Making Yourself All Up Again": The Composition of Samuel Beckett\textquotesinglesThat Time. Modern Drama, 23(2), 112-120. Retrieved from https://doi.org/10.3138%2Fmd.23.2.112 doi:10.3138/md.23.2.112

Gontarski, S. E. (1980). Beckett's Voice Crying in the Wilderness: From 'Kilcool' to Not I. Papers of the Bibliographical Society of America, 74, 27-48. Retrieved from https://www.jstor.org/stable/24302647

Gontarski, S. E. (1980). 'Making Yourself All Up Again': The Composition of Samuel Beckett's That Time. Modern Drama, 23.2, 112-120. doi:https://utppublishing.com/doi/10.3138/md.23.2.112

Gontarski, S. E. (1979). Samuel Beckett and Intrinsic Form. Perspectives on Contemporary Literature, 5, 3-9.

Gontarski, S. E. (1977). Crapp's First Tape: Beckett's Manuscript Revisions of Krapp's Last Tape. Journal of Modern Literature (Samuel Beckett Issue), 6.1, 61-68. doi:https://www.jstor.org/stable/3831019

Gontarski, S. E. (1976). "Birth Astride of a Grave": Samuel Beckett's "Act Without Words, I". Journal of Beckett Studies, 1,1, 37-40. Retrieved from https://www.jstor.org/stable/44783213 doi:https://www.jstor.org/stable/44783213

Refereed Books

Gontarski, S. E. (in press). William S. Burroughs: Thought Control, Aesthetic Weaponry and Dystopian Modernism. Clemson, SC: Clemson University Press and Liverpool, UK: Liverpool University Press. 

Gontarski, S. E. (2025). Beckett's Co-authors:  Rewriting Waiting for Godot. Edinburgh University Press. Retrieved from https://academic.oup.com/edinburgh-scholarship-online/book/62110

Gontarski, S. (2024). Samuel Beckett: Os pequenos (grandes!) textos. Giostri Editora, LTDA. Retrieved from https://bookinfometadados.com.br/books/view/9786559274468

Gontarski, S. E. (2024). Bad Godots: 'Vladimir Emerges from the Barrel' and Other Interventions. Cambridge University Press. Retrieved from https://www.cambridge.org/core/elements/abs/bad-godots/2D68993BC422644DC64786F1772180C4

Gontarski, S. E. (2024). Beckett. Przewodnik [A Beckett Handbook]. Tłumczenie Piotr Szymor. "Wstęp do  Wydania polskiego," Michał Lachman. Wydawnictwo Uniwersytetu łódzkiego, Łódź, 2024. Retrieved from https://www.uni.lodz.pl/aktualnosc/szczegoly/beckett-przewodnik-stanleya-gontarskiego-nowosc-w-wydawnictwie-ul

Gontarski, S. (2022). Tennessee Williams: Modernismo in t-shirt e i rinnovamenti del teatro. Cue Press. Retrieved from https://www.cuepress.com/prodotto/stanley-gontarski-tennessee-williams/

Gontarski, S. E. (2021). Tennessee Williams: T-shirt Modernism and the Refashionings of Theater. London: Anthem Press [Anthem Impact Series]. Retrieved from https://www.cambridge.org/core/books/abs/tennessee-williams-tshirt-modernism-and-the-refashionings-of-theater/t-shirt-modernism-and-performed-masculinities-the-theatrical-refashionings-of-tennessee-wi

Gontarski, S. (2020). Samuel Beckett: Os Grandes Textos Teatrais. São Paulo, Brasil: Giostri Editora, LTDA, 2020. Retrieved from https://loja.giostrieditora.com.br/SAMUEL-BECKETT%E2%80%93Os-grandes-textos-teatrais

Gontarski, S. E. (2018). Revisioning Beckett: Samuel Beckett's Decadent Turn. New York:  Bloomsbury Academic. Retrieved from https://www.bloomsbury.com/us/revisioning-beckett-9781501337659/

Gontarski, S. E. (2017). Beckett's Happy Days: A Manuscript Study. Columbus, OH:  Ohio State University Press. Retrieved from https://ohiostatepress.org/books/titles/9780814254028.html

Gontarski, S. (2016). Przedstawienie Becketta (Presenting Beckett): Eseje o Becketcie (Essays about Beckett), Volume I. Wyb.r i opracowanie naukowe Tomasz Wiśniewski i Miłosz Wojtyna. Gdańsk: University of Gdańsk, Maski Press. 

Gontarski, S. E. (2015). Creative Involution: Bergson, Beckett, Deleuze. Edinburgh, UK:  Edinburgh University Press. Retrieved from https://edinburghuniversitypress.com/book-creative-involution.html

Gontarski, S. E., & Ackerley, C. J. (2006). The Faber Companion to Samuel Beckett: A Reader's Guide to His Works, Life, and Thought. London: Faber and Faber. Retrieved from http://www.faber.co.uk/9780571227389-the-faber-companion-to-samuel-beckett.html

Gontarski, S. E., & Ackerley, C. J. (2004). The Grove Companion to Samuel Beckett: A Reader's Guide to His Works, Life, and Thought. Grove Press. Retrieved from http://www.groveatlantic.com/?title=The+Grove+Companion+to+Samuel+Beckett

Gontarski, S. E. (2000). Modernism, Censorship, and the Politics of Publishing: The Grove Press Legacy. The Hanes Foundation, Rare Book Collection/University Library, The University of North Carolina at Chapel Hill. Retrieved from https://www.si.edu/object/modernism-censorship-and-politics-publishing-grove-press-legacy-se-gontarski:siris_sil_667628

Gontarski, S. E. (1985). The Intent of Undoing in Samuel Beckett's Dramatic Texts. Bloomington, IN:  Indiana University Press. Retrieved from https://archive.org/details/intentofundoingi0000gont

Gontarski, S. E. (1977). Beckett's 'Happy Days': A Manuscript Study. Columbus, Ohio: The Ohio State University Library Publications. Retrieved from https://www.goodreads.com/book/show/376941.Beckett_s_Happy_Days

Edited Books

Gontarski, S. E. (Ed.). (in press). Beckett: Quaderni di regia e testi riveduti, Giorni Felici.  Edizione critica Stanley E. Gontarski [Critical Edition]. Bologna, IT:  Cue Press. 

Gontarski, S. E. (Ed.). (in press). The Anthem Beckett Studies Reader: Reviewing Beckett [Critical essays]. London: Anthem Press. 

Gontarski, S. E. (Ed.). (2024). Quaderni di regia e testi riveduti -- testi brevi [Critical Edition]. Cue Press, Bologna, Italia. Retrieved from https://www.cuepress.com/prodotto/samuel-beckett-quaderni-di-regia-e-testi-riveduti-testi-brevi/

Gontarski, S. E. (Ed.). (2021). Burroughs Unbound: William S. Burroughs and the Performance of Writing [Critical essays]. Bloomsbury Academic. Retrieved from https://www.bloomsbury.com/us/burroughs-unbound-9781501362187/

Gontarski, S. E. (Ed.). (2021). Włodzimierz Staniewski and the Phenomenon of "Gardzienice." [Critical essays]. London: Routledge (Theatre and Performance Series). Retrieved from https://www.routledge.com/Wlodzimierz-Staniewski-and-the-Phenomenon-of-Gardzienice/Gontarski-Wisniewski-Kreglewska/p/book/9780367406325

Gontarski, S. E. (Ed.). (2016). Beckett Matters: Essays on Beckett's Late Modernism [Critical essays]. Edinburgh University Press. Retrieved from https://edinburghuniversitypress.com/book-beckett-matters.html

Gontarski, S. E. (Ed.). (2016). Beckett Matters: Essays on Beckett's Late Modernism [Critical essays]. Edinburgh, UK:  Edinburgh University Press. Retrieved from https://www.jstor.org/stable/10.3366/j.ctt1g052fh

Gontarski, S., Ardoin, P., & Mattison, L. (Eds.). (2014). Understanding Deleuze / Understanding Modernism. Bloomsbury Academic. Retrieved from http://www.bloomsbury.com/us/understanding-deleuze-understanding-modernism-9781623560683/

Gontarski, S. (Ed.). (2014). The Edinburgh Companion to Samuel Beckett and the Arts. Edinburgh University Press. Retrieved from http://www.euppublishing.com/book/9780748675685

Gontarski, S. E. (Ed.). (2014). The Edinburgh Companion to Samuel Beckett and the Arts [Critical essays]. Edinburgh, UK:  Edinburgh University Press. Retrieved from https://edinburghuniversitypress.com/book-the-edinburgh-companion-to-samuel-beckett-and-the-arts.html

Gontarski, S. E. (Ed.). (2014). Understanding Deleuze, Understanding Modernism [Critical essays]. New York:  Bloomsbury Academic. Retrieved from https://www.bloomsbury.com/us/understanding-deleuze-understanding-modernism-9781623560683/

Gontarski, S. E. (Ed.). (2013). Samjuel Beket: Sabrane kratke proze 1929-1989 [Critical Edition]. Beograd: Geopoetika. Retrieved from https://geopoetika.com/o-knjizi/1387

Gontarski, S. E. (Ed.). (2013). Understanding Bergson, Understanding Modernism [Critical essays]. New York:  Bloomsbury Academic. Retrieved from https://www.bloomsbury.com/us/understanding-bergson-understanding-modernism-9781441172211/

Gontarski, S. E., Ardoin, P., & Mattison, L. (Eds.). (2012). Understanding Bergson, Understanding Modernism [Critical essays]. London: Bloomsbury Academic. Retrieved from http://www.bloomsbury.com/us/understanding-bergson-understanding-modernism-9781441172211/

Gontarski, S. E. (Ed.). (2012). On Beckett:  Essays and Criticism [Critical essays]. London: Anthem Press. Retrieved from https://anthempress.com/books/on-beckett-pb

Gontarski, S. (Ed.). (2012). Un tram che si chiama desiderio / A Streetcar Named Desire. Canone teatrale europeo / Canon of European Drama [Critical Edition]. Pisa, Italy: Editioni ETS. Retrieved from http://www.edizioniets.com/scheda.asp?n=9788846732583&from=&fk_s=

Gontarski, S. E. (Ed.). (2010). A Companion to Samuel Beckett. Oxford: Wiley-Blackwell. 

Gontarski, S. E. (Ed.). (2009). Krapp's Last Tape and other Short Plays [Critical Edition]. London: Faber and Faber. Retrieved from http://www.faber.co.uk/9780571244560-krapps-last-tape-and-other-shorter-plays.html

Gontarski, S. E., Cloonan, W., Hargreaves, A., & Anderson, D. (Eds.). (2008). Transnational Beckett. Tallahassee, FL: Journal of Beckett Studies Books. 

Gontarski, S. E. (Ed.). (2006). Beckett after Beckett [Critical essays]. Gainesville, FL;  University Presses of Florida. Retrieved from https://www.alibris.com/Beckett-After-Beckett/book/36243850

Gontarski, S. E. (Ed.). (2006). En Attendant Godot / Waiting for Godot (A Bilingual Edition) [Critical Edition]. New York:  Grove Press. Retrieved from https://groveatlantic.com/book/waiting-for-godot-a-bilingual-edition/

Gontarski, S. E. (Ed.). (2001). The Grove Press Reader, 1951-2001 [Critical Edition]. New York:  Grove Press, Inc. Retrieved from https://groveatlantic.com/book/grove-press-reader-1951-2001-the/

Gontarski, S. E. (Ed.). (1999). The Theatrical Notebooks of Samuel Beckett, The Shorter Plays:   Play; Come and Go; Eh Joe; Footfalls; That Time; What Where; Not I [Critical Edition]. New York:  Grove Press. Retrieved from https://groveatlantic.com/book/shorter-plays-theatrical-notebooks/

Gontarski, S. E. (Ed.). (1997). The Complete Short Prose of Samuel Beckett, 1929-1989 [Critical Edition]. New York:  Grove Press, Inc. Retrieved from https://groveatlantic.com/book/the-complete-short-prose-1929-1989/

Gontarski, S. E. (Ed.). (1993). The Beckett Studies Reader [Critical essays]. Gainesville, FL:  University Presses of Florida. Retrieved from https://books.google.com/books/about/The_Beckett_Studies_Reader.html?id=VBWQranuVLYC

Gontarski, S. E. (Ed.). (1992). The Theatrical Notebooks of Samuel Beckett, Endgame [Critical Edition]. New York:  Grove Press, Inc. Retrieved from https://groveatlantic.com/book/endgame-production-notebook/

Gontarski, S. E. (Ed.). (1986). On Beckett: Essays and Criticism [Critical essays]. New York:  Grove Press. Retrieved from https://www.abebooks.co.uk/9780394622316/Beckett-Essays-Criticism-Gontarski-S.E-0394622316/plp

Gontarski, S. E. (Ed.). (1983). Samuel Beckett: Humanistic Perspectives [Critical essays]. Columbus, OH:  The Ohio State University Press. Retrieved from https://ohiostatepress.org/books/BookPages/BejaSamuel.html

Edited Monographs

Gontarski, S. E. (Ed.). (in press). The Afterlife of Theatrical Scenes across Media, Parodies of Iconic Theatrical Scenes in Popular Culture: Performance, Media, and Adaptation [Monograph]. Revista Dramaturgias / Journal Dramaturgies.

Gontarski, S. E. (Ed.). (2002). Beckett in Scena: Interpretazioni Memorabili nel Mondo [Monograph]. Drammaturgia, 9. Retrieved from https://samuelbeckett.it/bibliografia/edizioni-italiane-delle-opere-su-beckett/aa-vv-beckett-in-scena-salerno-2002/

Gontarski, S. E. (Ed.). (1991). American Book Review, Guest Editor, Samuel Beckett Focus, 12.6 (January/February 1991) [Monograph]. American Book Review, 12, 6.

Gontarski, S. E. (Ed.). (1990). The Review of Contemporary Fiction (Grove Press Number), Guest Editor, S. E. Gontarski 10.3 (fall 1990) [Monograph]. The Review of Contemporary Fiction (Grove Press Number), 10.3, 251. Retrieved from https://openlibrary.org/books/OL12157519M/The_Review_of_Contemporary_Fiction_(Fall_1990)

Gontarski, S. E. (Ed.). (1983). Modern Fiction Studies (Samuel Beckett issue), Guest Editor, S. E. Gontarski, 29.1 (spring 1983) [Monograph]. Modern Fiction Studies (Samuel Beckett issue), 29, 1, 152. Retrieved from https://www.cla.purdue.edu/academic/english/publications/mfs/volumes/1983.html

Refereed Book Chapters

Gontarski, S. E. (2025). Stanley Gontarski Informs Pat Thomas [an essay/interview]. In Pat Thomas (Ed.), Dispatches from the Literary Underground: "Evergreen Review" Covers and Essays, 1957-1973 (pp. 243-247). Seattle, WA: Fantagraphics Books. Retrieved from https://www.fantagraphics.com/products/dispatches-from-the-literary-underground-evergreen-review-magazine-covers-1957-1973

Gontarski, S. E. (2024). "On the Road (Again) with Bob Dylan". In Barry Faulk, & Brady Harrison (Eds.), Tearching Bob Dylan: Multitudes (pp. 115-132). New York:  Bloomsbury Academic. Retrieved from https://www.bloomsbury.com/us/teaching-bob-dylan-9798765105030/

Gontarski, S. E. (2024). Beckett's Dystopian Trilogy, Part I: Lucky's 'Cerebral Physiology' and the Irrelevance of Godot. In Michela Bariselli, Davide Crosara, Antonio Gambacorta, & Mario Martino (Eds.), Samuel Beckett's Italian Modernisms: Tradition, Texts, Performance (pp. 13-30). London:  Routledge. Retrieved from https://www.taylorfrancis.com/books/edit/10.4324/9781003335870/samuel-beckett-italian-modernisms-michela-bariselli-davide-crosara-antonio-gambacorta-mario-martino

Gontarski, S. E. (2023). Godot Noir: Beckett in Black and Whiteface. In Jonathan Bignell, Anna McMullan, & Pim Verhulst. (Eds.), Beckett's afterlives: Adaptation, Remediation, Appropriation (pp. 202-217). Manchester, UK:  Manchester UP. Retrieved from https://doi.org/10.7765/9781526153807.00018

Gontarski, S. E. (2021). Burroughs Unbound: An Atrophied Introduction. In S. E. Gontarski (Ed.), Burroughs Unbound: William S. Burroughs and the Performance of Writing (pp. 1-41). New York:  Bloomsbury Academic. Retrieved from https://www.bloomsbury.com/us/burroughs-unbound-9781501362187/

Gontarski, S. E. (2021). Un-Bodied Voices, the Thing Itself and Beckett's Neural Theatre. In Ed. Nicholas Johnson, Mariko Hori Tanaka, & Laurens de Vos (Eds.), Beckett's Voices/Voicing Beckett (pp. 111-123). Leiden, The Netherlands: Brill Publishhers. Retrieved from https://brill.com/display/title/60739

Gontarski, S. E. (2021). Weaponized Aesthetics and Dystopian Modernism: Cut-ups, Playbacks, Pick-ups, and the 'Limits of Control' from Burroughs to Deleuze. In S. E. Gontarski (Ed.), Burroughs Unbound:  William S. Burroughs and the Performance of Writing (pp. 45-70). New York:  Bloomsbury Academic. Retrieved from https://www.bloomsbury.com/us/burroughs-unbound-9781501362187/

Gontarski, S. (2018). Theoretical and Theatrical Intersections: Samuel Beckett, Herbert Blau, Civil Rights and the Politics of Godot. In Dirk Van Hulle, Verhulst Pim, & Olga Beloborodova (Eds.), Beckett and Modernism (pp. 179-192). London: Palgrave. 

Gontarski, S. E. (2018). "Who the Hell Is Herbert Blau?": The "Dark Energy" of an American Dark Theater. In Clark Lundberry, & Joseph Roach (Eds.), The Very Thought of Herbert Blau: A Life in Time (pp. 73-85). Ann Arbor, MI: University of Michigan Press. Retrieved from https://doi.org/10.3998/mpub.8879114

Ardoin, P., Gontarski, S. E., & Mattison, L. (2018). Series Preface: Understanding Philosophy, Understanding Modernism. In Paul Ardoin, S. E. Gontarski, & Laci Mattison (Eds.), Understanding Merleau-Ponty, Understanding Modernism (pp. xiv). New York:  Bloomsbury Academic. Retrieved from https://www.bloomsbury.com/us/series/understanding-philosophy-understanding-modernism/

Gontarski, S. E. (2018). Tennessee Williams and Theatrical Change on the Post World War II World Stage. In Enzo Balboni, & Annamaria Cascetta. (Eds.), European Cultural Identity: Law, History, Theatre and Art (pp. 227-243). ETS, Pisa. Retrieved from https://www.edizioniets.com/scheda.asp?n=9788846751744

Gontarski, S. E. (2018). Theoretical and Theatrical Intersections: Samuel Beckett, Herbert Blau, Civil Rights, and the Politics of Godot. In Dirk Van Hulle, Verhulst Pim, & Olga Beloborodova. (Eds.), Beckett and Modernism (pp. 179-192). London:  Palgrave Macmillan. Retrieved from https://books.google.com/books/about/Beckett_and_Modernism.html?id=kKlVDwAAQBAJ

Gontarski, S. E. (2017). Theoretical and Theatrical Intersections: Samuel Beckett, Herbert Blau, Civil Rights and the Politics of Godot. In Dirk Van Hulle, Verhulst Pim, & Olga Beloborodova (Eds.), Beckett and Modernism (pp. 179-192). London: Palgrave Macmillan. Retrieved from https://books.google.com/books/about/Beckett_and_Modernism.html?id=kKlVDwAAQBAJ

Gontarski, S. E. (2016). Creative Involution: Bergson, Beckett, Deleuze. In S. E. Wilmer (Ed.), Deleuze and Beckett (pp. 36-59). London:  Palgrave Macmillan. Retrieved from https://openlibrary.org/books/OL30392069M/Deleuze_and_Beckett

Gontarski, S. E. (2016). 'I think this does call for a firm stand': Beckett at the Royal Court. In Tucker, David, & McTighe, Trish (Eds.), Staging Beckett in Great Britain (pp. 21-36). London, UK : Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing Plc. Retrieved from https://www.dramaonlinelibrary.com/encyclopedia-chapter?docid=b-9781474240208&tocid=b-9781474240208-chapter2&pdfid=9781474240208.ch-002.pdf

Gontarski, S. E. (2015). Towards a Creative Involution. In S. E. Gontarski (Ed.), Creative Involution:  Bergson, Beckett, Deleuze (pp. 93-114). Edinburgh:  Edinburgh  University Press. Retrieved from http://dx.doi.org/10.3366/edinburgh/9780748697328.003.0005

Gontarski, S. E. (2015). A Period of Adjusment: Zelda Fitzgerald among Tennessee's Woman. In Tomasz Wiśniewski, & Martin Blaszk. (Eds.), Between Page and Stage: Scholars and Theater Makers (pp. 171-181). Gdańsk, Polonia: Wydawnictwo Uniwersytetu Gdańskiego (The University of Gdańsk Press). 

Gontarski, S. E. (2015). Creative Involution: Bergson, Beckett, Deleuze. In Stephen Elliot Wilmer, & Audrone Zukauskaite (Eds.), Deleuze and Beckett (pp. 50-83). Palgrave Macmillan. Retrieved from http://dx.doi.org/10.1057/9781137481146.0008

Gontarski, S. E. (2015). 'That white speck lost in whiteness': Imagining the Death of Imagination."  Imagination Dead Imagine (50th Anniversary Edition). In Jamie Murphy (Ed.), Imagination Dead Imagine (50th Anniversary Edition). Dublin: The Salvage Press, 2015 (pp. NP). Dublin: The Salvage Press. Retrieved from https://graphicarts.princeton.edu/2015/10/05/50th-anniversary-of-becketts-imagination-dead-imagine/

Gontarski, S. E. (2014). The Essential Beckett: A preface to the Second Edition. In S. E. Gontarski (Ed.), On Beckett:  Essays and Criticism (pp. xi-xvi). London:  Anthem Press. Retrieved from https://anthempress.com/books/on-beckett-pb

Gontarski, S. E. (2013). Bergson on Movement and Spacialization. In Ed. by Paul Ardoin, S. E. Gontarski, and Laci Mattison. New York and London: Bloomsbury Books, 2013. (Ed.), Understanding Bergson, Understanding Modernism (pp. 327-330). New York and London: Bloomsbury Academic. Retrieved from https://www.scribd.com/document/356788843/S-E-Gontarski-Paul-Ardoin-Laci-Mattison-Understanding-Bergson-Understanding-Modernism-2012-pdf

Gontarski, S. E. (2012). Reinventing Beckett. In Alan Ackerman (Ed.), Reading Modern Drama (pp. 135-156). University of Toronto Press. Retrieved from http://dx.doi.org/10.3138/9781442661486-009

Gontarski, S. E. (2012). A Beckett Chronology. In S. E. Gontarski (Ed.), On Beckett:  Essays and Criticism (Revised edition) (pp. xvii-xxvi). Anthem Press. Retrieved from http://dx.doi.org/10.7135/upo9780857285805.002

Gontarski, S. E. (2012). Crritics and Crriticism: "Getting Known". In S. E. Gontarski (Ed.), On Beckett (pp. 1-12). Anthem Press. Retrieved from http://dx.doi.org/10.7135/upo9780857285805.003

Gontarski, S. E., & Gontarski, S. E. (2012). Crritics and Crriticism: "Getting Known". In S. E. Gontarski (Ed.), On Beckett (pp. 1-12). Anthem Press. Retrieved from http://dx.doi.org/10.7135/upo9780857285805.003

Gontarski, S. E. (2012). Les Carnets de mise en scène de Samuel Beckett et les théories postmodernes du texte et de la textualité. In Genevieve Chevallier, & Brigitte Prost (Eds.), Esthétique de la trace chez Samuel Beckett: Écriture, representation et mémoire (pp. 195-214). Rennes: Presses Universitaires de Rennes. Retrieved from https://books.openedition.org/pur/55705

Gontarski, S. E. (2012). Les Carnets de mise en scène de Samuel Beckett et les théories postmodernes du texte et de la textualité. In Geneviève Chevallier, & Brigitte Prost (Eds.), Esthétique de la trace chez Samuel Beckett: Écriture, representation et mémoire (pp. 195-214). Rennes: Presses Universitaires de Rennes. Retrieved from https://books.openedition.org/pur/55705

Gontarski, S. E. (2012). Literary Allusions in Happy Days. In S. E. Gontarski (Ed.), On Beckett (pp. 232-244). Anthem Press. Retrieved from http://dx.doi.org/10.7135/upo9780857285805.022

Gontarski, S. E. (2012). Quad and Catastrophe. In S. E. Gontarski (Ed.), On Beckett (pp. 307-310). Anthem Press. Retrieved from http://dx.doi.org/10.7135/upo9780857285805.029

Gontarski, S. E. (2012). The Essential Beckett: A Preface to the Second Edition. In S. E. Gontarski (Ed.), On Beckett (pp. xi-xvi). Anthem Press. Retrieved from http://dx.doi.org/10.7135/upo9780857285805.001

Gontarski, S. E. (2011). "Reinventing Beckett". In Alan Ackerman (Ed.), Reading Modern Drama (pp. 427-450). Toronto: University of Toronto Press, 2011. 

Gontarski, S. E. (2011). "Art and Commodity: Samuel Beckett's Commerce with Grove Press,". In Mark Nixon (Ed.), Publishing Samuel Beckett (pp. 139-151). London: British Library Publications. 

Gontarski, S. E. (2011). "Custodian of His Own Image". In Steven Dilks (Ed.), Samuel Beckett in the Literary Marketplace (pp. xi-xvi). Syracuse: Syracuse University Press. 

Gontarski, S. E. (2011). "Moloa i opetavani roman". In Predrag Todorović (Eds.), Beket (pp. 177-184). Belgrade, Serbia: Todorović, Sluzbeni glasnik. 

Gontarski, S. E. (2011). "'Thought thinks in its own right': A. A. Luce, Samuel Beckett, and Bergson's Doctrine of Failure". In Anthony Uhlmann (Ed.), Beckett in Context (pp. 24). Cambridge, UK: Cambridge University Press. 

Gontarski, S. E. (2011). Custodian of His Own Image. In Steven Dilks (Ed.), Samuel Beckett in the Literary Marketplace (pp. xi-xvi). Syracuse: Syracuse University Press. Retrieved from https://press.syr.edu/supressbooks/779/samuel-beckett-in-the-literary-marketplace/

Gontarski, S. E. (2010). "An Art of Incompletion: A Preface". In C. J. Ackerley (Ed.), Complex Locks, Simple Keys: Annotations to Watt (pp. 6-9). Edinburgh: Edinburgh University Press. 

Gontarski, S. E. (2010). "'Nascita a cavallo di una tomba': 'Atto senza parole, I' di Samuel Beckett,". In Stefano Casi (Ed.), Non io nei giorni felici. Beckett, Adriatico e il teatro del desiderio (pp. 28-34). Corazzano: Titivillus Editioni. 

Gontarski, S. E. (2010). "Reading Beckett's Reading: The Demented Particulars". In C. J. Ackerley (Ed.), Demented Particulars: The Annotated "Murphy (pp. 6-9). Edinburgh: Edinburgh University Press. 

Gontarski, S. E. A., & Ackerley, C. J. (2010). "The Knowing Non-Exister': Thirteen Ways of Reading Texts for Nothing". In S. E. Gontarski (Ed.), A Companion to Samuel Beckett (pp. 289-295). Oxford: Wiley-Blackwell. 

Gontarski, S. E. (2010). "Within a Budding Grove: Publishing Beckett in America". In S. E. Gontarski (Ed.), A Companion to Samuel Beckett (pp. 23-31). Oxford: Wiley-Blackwell. 

Gontarski, S. E. (2009). "Redirecting Beckett". In Daniela Guardamagna, & Rossana M. Sebellin (Eds.), The Tragic Comedy of Samuel Beckett: Beckett in Rome (pp. 327-341). Rome: Editori Laterza. 

Gontarski, S. E. (2009). "Revising Himself: Samuel Beckett and the Art of Self-collaboration". In Anna McMullan, & S. E. Wilmer (Eds.), Reflections on Beckett: A Centenary Celebration (pp. 153-172). Ann Arbor: University of Michigan Press. 

Gontarski, S. E. (2009). "The Business of Being Beckett: Beckett's Reception in the USA". In Mark Nixon, & Matthew Feldman (Eds.), The International Reception of Samuel Beckett (pp. 21-49). London: Continuum International Publishing. 

Gontarski, S. E. (2008). "Recovering Beckett's Bergsonism". In Linda Ben-Zvi, & Angela Moorjani (Eds.), Beckett at 100: Revolving It All (pp. 93-106). Oxford: Oxford University Press. 

Gontarski, S. E. (2008). 「劇場のベケット. In James Knowlson, & Elizabeth Knowlson (Eds.), 「ベケット証言録 (pp. 293-300). Tokyo: 白水社. 

Gontarski, S. E. (2008). Recovering Beckett's Bergsonism. In Ben-Zvi, Linda, & Angela Moorjani (Eds.), Beckett at 100: Revolving it All (pp. 93-106). Oxford, UK:  Oxford UP. Retrieved from https://doi.org/10.1093/oso/9780195325478.001.0001, accessed

Gontarski, S. E. (2006). Beckett in der Aufführung. In Christel Dormagen (trans), James KNowlson, & Elizabeth Knowlson (Eds.), Beckett Erinnerung, Herausgegeben (pp. 284-290). Frankfurt am Main: Suhrkamp Verlag. 

Gontarski, S. E. (2006). Beckett in Performance. In Knowlso, James, & Knowlson, Elizabeth (Eds.), Remembering Beckett/Beckett Remembering: A Centenary Celebration (pp. 255-261). New York: Arcade Publishing and London: Bloomsbury. 

Gontarski, S. E. (2006). Greying the Canon: Beckett in Performance. In Eds. S. E. Gontarski, Anthony Uhlmann (Ed.), Beckett after Beckett (pp. 141-157). Gainesville, FL: University Press of Florida. Retrieved from https://openlibrary.org/books/OL3421584M/Beckett_after_Beckett

Gontarski, S. E. (2006). Introducing Beckett's Ghosts Beckett in Performance. In S. E. Gontarski, & Anthony Uhlmann (Eds.), Beckett after Beckett (pp. 1-12). Gainesville, FL: University Press of Florida. Retrieved from https://openlibrary.org/books/OL3421584M/Beckett_after_Beckett

Gontarski, S. E. (2006). Introduction: Crritics and crriticism: "Getting known". In S. E. Gontarski (Ed.), On Beckett:  Essays and Criticism (pp. 1-12). New York:  Grove Press, Inc. 

Gontarski, S. E. (2006). Literary allusions in happy days. In S. E. Gontarski (Ed.), On Beckett:  Essays and Criticism (pp. 232-244). New York:  Grove Press. 

Gontarski, S. E. (2006). Quad and catastrophe. In S. E. Gontarski (Ed.), On Beckett:  Essays and Criticism (pp. 307-310). On Beckett: Essays and Criticism. 

Gontarski, S. E., & Ackerley, C. J. (2005). Beckett's Watt. In Brian Shaffer (Ed.), A Companion to the British and Irish Novel, 1945- 2000 (pp. 227-240). London:  Blackwell Publishing. 

Gontarski, S. E. (2004). Anywhere and Nowhere: Mapping the Beckett Country" (with C. J. Ackerley). In C. J. Ackerley, & S. E. Gontarski (Eds.), The Grove Companion to Samuel Beckett: A Reader's Guide to His Works, Life, and Thought (pp. ix-xvi). New York:  Grove Press, Inc. 

Gontarski, S. E. (2004). Beckett and Performance. In Lois Oppenheim (Ed.), Palgrave Advances in Samuel Beckett Studies (pp. 194-208). Palgrave Macmillan UK. Retrieved from http://dx.doi.org/10.1057/9780230504622_11

Gontarski, S. E. (1999). A Hat Is Not a Shoe: The Theatrical Notebooks of Samuel Beckett and Postmodernist Theories of Texts and Textuality. In Bruce Stewart (Ed.), Beckett and Beyond (pp. 129-144). London: Colin Smythe, Ltd. Retrieved from https://openlibrary.org/books/OL6896675M/Beckett_and_beyond

Gontarski, S. E. (1991). 'Dealing with a Given Space': Waiting for Godot and the Stage. In June Schlueter, & Enoch Brater (Eds.), Approaches to Teaching Beckett's "Waiting for Godot" (pp. 163-67). New York: The Modern Language Association. Retrieved from https://www.mla.org/Publications/Bookstore/Approaches-to-Teaching-World-Literature/Approaches-to-Teaching-Beckett-s-Waiting-for-Godot

Gontarski, S. E. (1991). Lee Breuer and Mabou Mines. In Bruce King (Ed.), Contemporary American Theatre (pp. 135-148). Palgrave Macmillan UK. Retrieved from http://dx.doi.org/10.1007/978-1-349-21582-9_8

Gontarski, S. E. (1986). Molloy and the Reiterated Novel. In John Calder (Ed.), "As no other dare Fail": Essays in Honor of Samuel Beckett's Eightieth Birthday (pp. 57-65). London:  John Calder [Publishers] Ltd. Retrieved from https://openlibrary.org/books/OL7799395M/As_No_Other_Dare_Fail

Gontarski, S. E. (1983). Film and Formal Integrity. In S. E. Gontarski, Morris Beja, & Pierre Astier (Eds.), Samuel Beckett: Humanistic Perspectives (pp. 129-137). Columbus, OH:  The Ohio State University. Retrieved from https://ohiostatepress.org/books/BookPages/BejaSamuel.html

Gontarski, S. E. (1982). Samuel Beckett, James Joyce's 'Illstarred Punster'. In Bernard Benstock (Ed.), The Seventh of Joyce (pp. 29-32). Bloomington, IN:  Indiana University Press. 

Gontarski, S. E. (1981). The Virgin and the Gipsy, D. H. Lawrence: An English Watercolor. In Michael Klein, & Gillian Parker (Eds.), The English Novel and the Movies (pp. 257-267). New York: Frederick Ungar Publishing Co. 

Gontarski, S. E. (1980). The Making of 'Krapp's Last Tape'. In James Knowlson (Ed.), Samuel Beckett "Krapp's Last Tape" (Theater Workbook Series, 1) (pp. 14-23). London:  Brutus Books, Ltd. 

Refereed Encyclopedia Entries

Gontarski, S. (2016). Henri Bergson. In Oliver Janz, historian at the Friedrich-Meinecke-InstitutProf. Dr. Nicolas Apostolopoulos, director of the Center for Digital Systems (CeDiS) (Ed.), International Encyclopedia of the First World War. at Freie Universität Berlin. Retrieved from http://encyclopedia.1914-1918-online.net/article/bergson_henri

Gontarski, S. E. (2011). "All Strange Away". In Marie-Claude Hubert (Ed.), Dictionnaire Beckett (1st ed., Vol. 1, p. 32-4). Paris: Honoré Champion Éditeur. 

Gontarski, S. E. (2011). "Journal of Beckett Studies". In Marie-Claude Hubert (Ed.), Dictionnaire Beckett (1st ed., Vol. 1, p. 543-4). Paris: Honoré Champion Éditeur. 

Gontarski, S. E. (2011). "Lumière,". In Marie-Claude Hubert (Ed.), Dictionnaire Beckett (1st ed., Vol. 1, p. 584-88). Paris: Honoré Champion Éditeur. 

Gontarski, S. E. (2011). "Recent Irish Poetry,". In Marie-Claude Hubert (Ed.), Dictionnaire Beckett (1st ed., Vol. 1, p. 877-80). Paris: Honoré Champion Éditeur. 

Gontarski, S. E. (2011). "Représentation". In Marie-Claude Hubert (Ed.), Dictionnaire Beckett (1st ed., Vol. 1, p. 921-28). Paris: Honoré Champion Éditeur. 

Gontarski, S. E. (2011). "Tara MacGowran Notebook". In Marie-Claude Hubert (Ed.), Dictionnaire Beckett (1st ed., Vol. 1, p. 1033-35). Paris: Honoré Champion Éditeur. 

Gontarski, S. E. (2006). Henry Miller. In John Phillips, & Gaëtan Brulotte (Eds.), The Encyclopedia of Erotic Literature, Vol. II (1st ed., Vol. 2, p. 897-901). New York:  Routldge. 

Gontarski, S. E. (2006). Kenneth Tynan. In John Phillips, & Gaëtan Brulotte (Eds.), The Encyclopedia of Erotic Literature (1st ed., Vol. 2, p. 1323-4). New York: Routledge. 

Gontarski, S. E. (1998). Samuel Beckett. In Microsoft Encarta, 98 Encyclopedia Deluxe Edition (p. NP). Redmond, WA: Microsoft Encarta. 

Gontarski, S. E. (1994). "Boris Vian". In Mark Hawkins–Dady (Eds.), International Dictionary of the Theatre (1st ed., Vol. 2, p. 1003-1005). London and Chicago: St. James Press. 

Gontarski, S. E. (1994). "Edward Albee". In Mark Hawkins–Dady. (Eds.), International Dictionary of the Theatre, Vol. II, Playwrights (1st ed., Vol. 2, p. 8-11). London and Chicago: St. James Press. 

Gontarski, S. E. (1994). "Samuel (Barclay) Beckett". In K. A. Berney. (Ed.), Contemporary British Dramatists (1st ed., Vol. 1, p. 50-57). London and Chicago: St. James Press. 

Gontarski, S. E. (1994). "Samuel Beckett". In Mark Hawkins–Dady. (Eds.), International Dictionary of the Theatre, Vol. II, Playwrights (1st ed., Vol. 2, p. 72-77). London and Chicago: St. James Press. 

Performances

Non-Equity Performances

Gontarski, S. E. (John McKenna, Ryszard Ronczewski). (2016, May). Ohio Impromptu with London actor Jon McKenna, Polish actor Ryszard Ronczewski, and filmmaker/visual artist Elvin Flamingo. "Experimental Beckett" conference. Between.Pomiendzy -- [Theatre]. [Origination of the work by Experimental Beckett Conference]. [Artistic direction by S. E. Gontarski]. Theatre Boto, Sopot, Poland: Between.Pomiendzy -- Sopot.Gdańsk.Gdynia. 18 May 2016. 

Contracts and Grants

Contracts and Grants Funded

Gontarski, S. E. (Mar 2016–Apr 2016). Visiting Scholar. Funded by American Academy in Rome. Total award $5,000. 

Gontarski, S. E. (Feb 2011–Mar 2011). Research residency:  Un tram che si chiama desiderio / A Streetcar Named Desire. Canone teatrale europeo / Canon of European Drama. Funded by Bogliasco Foundation, Ligurian Study Center for the Arts and Humanities, Bogliasco, Italy. Total award $25,000. 

Gontarski, Stanley E (PI). (Jul 2008–Dec 2020). Robert O. Lawton Distinguished Professor Award. Funded by FSU Lawton Awards. Total award $10,000. 

Gontarski, S. E. (Sep 2006–Dec 2006). Visiting Research Residency, Waseda University, Tokyo, fall 2006. Funded by Japanese Society for the Promotion of Science. Total award $50,000. 

Gontarski, S. E. (Sep 2006–Dec 2006). Visiting Research Residency, Waseda University, Tokyo, fall 2006. Funded by Japanese Society for the Promotion of Science. Total award $50,000. 

Gontarski, S. E. (Feb 2001–Mar 2001). Resident Scholar:  book project. "Beckett Companion.". Funded by Rockefeller Foundation's Bellagio Study and Conference Center. Total award $25,000. 

Gontarski, S. E. (Apr 1999–May 1999). American literature lectures, Malaga, Spain, April 1999. Funded by Inter-country Lecture Program of the Commission for Cultural, Educational, and Scientific Exchange between the United States and Spain, April 1999. Total award $5,000. 

Contracts and Grants Pending

Gontarski, S. E. (Sep 2019). The William S. Burroughs Project:  An Annotated, Electronic Edition of Burroughs's Pivotal and Neglected Novel,  'Dead Fingers Talk'. Submitted to National Endowment for the Humanities. Total award $163,435. 

Gontarski, Stanley E (PI). (Sep 2015). The Archive As Text: William Burroughs And The Performance Of Writing. Submitted to National Endowment for the Humanities. Unspecified award amount. 

Gontarski, Stanley E (PI). (Oct 2014). The Archive as Text: Recovering and Recomposing William S. Burroughs. Submitted to National Endowment for the Humanities. Unspecified award amount. 

Gontarski, Stanley E (PI). (Sep 2013). Digital Innovations Fellowship (2013-2014): William Burroughs Cut Ups:  A Digital Realization. Submitted to American Council of Learned Societies. Unspecified award amount. 

Service

The Profession

Editor for Refereed Journals

Samuel Beckett Today/Aujourd'hui (2000–present).

Journal of Beckett Studies (1989–present).

Series Editor for Books

Other Becketts (2018–present).

Understanding Philosophy / Understanding Modernism (2014–present).

Anthem Studies in Theater and Performance (2011–present).

Crosscurrents: Comparative Studies in European Literature and Philosophy (1996–present).

Editorial Board Membership(s)

Advisory Board, International Association of Theatre Leaders (2022–present).

Editorial Board, BETWEEN.POMIĘDZY (2010–present).

Advisory Board, Beckett Digital Manuscript Project, University of Antwerp (2008–present).

Modern Drama (2006–present).

Editorial Board, Dramaturgies: Processos Criativos em Artes. (Dramaturgies: Creative Processes) (2005–present).

Contributing Editor and Associated Author, Evergreen Review, #s 101-105 (2002–present).

Managing Editor, [Redaktorzy merytoryczni/ język angielski], Tekstualia: https://tekstualia.pl/ (2000–present).

Founder and first editor (volumes 1-4), The Beckett Circle: Newsletter of the Samuel Beckett Society (1977–1982).

Additional Service Not Reported Elsewhere

Gontarski, S. E. (2006). Patron. Samuel Beckett International Foundation.