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Department of Modern Languages and Linguistics French Division

Undergraduate French Courses: Spring 2003

FRE 2220 Reading and Conversation
MTWR 9:05-9:55 am (Staff) RBB 332

Completes University language requirement for baccalaureate degree. May not be taken by native speakers. Rapid review of basic French structures and introduction of some of the finer points of French grammar. May not be taken concurrently with FRE 1120 and/or 1121.
Prerequisite: FRE2200 or equivalent.



FRE 3420 French Grammar & Composition I
Section 1 MWF 12:20-1:10 Prof. LeBlanc DIF 212
Section 2 MWF 1:25-2:15 Prof. Gerato DIF 234

Prerequisite FRE 2200 or its equivalent.
An in-depth study of French grammar emphasizing some subtleties of written expression.



FRE 3421 French Grammar & Composition II
MWF 2:30-3:20 Prof. Allaire DIF 212

Prerequisite FRE 3420 or its equivalent.
Further study of the subtleties of written expression in the French language.



FRE 4422 Advanced French Composition
MWF 12:20-1:10 Prof. Allaire DIF 102

Prerequisite: FRE 3421 or equivalent. This course, intended for students with a thorough grounding in French grammar, aims at developing writing ability through the reading of a variety of sophisticated French prose works and the composition of essays based on these model texts.



FRE 4780 Phonetics: Theory and Application
TR 2:00-3:15 Prof. Spacagna DIF 114

Prerequisites: FRE 3244 and 3421 or equivalent. Study of the International Phonetic Alphabet and its application to French with practice in reproducing accurately French sounds and intonation patterns.



FRT 3140 French Literature in Translation
MWF 2:30-3:20 Prof. Walters DIF 234
Women and Love (France, 1160-1700)

Love has always been an ambiguous emotion for women. On the one hand it is a passion having the potential to realize their deepest aspirations, on the other, it is a feeling leading to their subjugation in personal and societal relationships. The reservations toward love expressed by writers such as Colette, Simone de Beauvoir, and Annie Ernaux, reservations that we may think of as typically modern, have their precedents in earlier periods of French literature. In this course we will turn our attention to depictions of the joys and the dangers of this universal emotion from the Middle Ages through the seventeenth century, with an emphasis on women’s experience as expressed by women writers. Syllabus



FRW 3101 Survey of French Literature: 18th - 20th Centuries
TR 9:30-10:45 Prof. Boutin DIF 116

Prerequisite: FRE 2220; FRE 3420 or 3421; FRW 3100 or permission of instructor. An introduction to the study of modern French literature by reading and discussing works representative of the various schools and movements. (Spring semester only.) Readings include Voltaire’s Candide, Mérimée’s Carmen and Camus’s L’Etranger.



FRW 4433 17th and 18th -Century Literature
TR 9:30-10:45 Prof. Spacagna DIF 102

Le 17e siècle (1610-1715) est aussi celui de la littérature classique. Le nouvel humanisme devient essentiellement une peinture et une analyse de “l’honnête homme.” Après l’avènement de Louis XIV, le Roi Soleil, en 1643, le pays connaît une période de stabilité politique relative. Le Roi a des goûts fastueux, la danse, le théâtre et les spectacles occupent une place privilégiée à la cour et en ville. Nous lirons une ou deux oeuvres des grands dramaturges: Corneille, Molière et Racine. Le courant de la préciosité, dont Molière se moque, né dans les salons au début du siècle, en réaction contre le manque de raffinement du langage et des mœurs à la cour d’Henri IV, influencera Madame de La Fayette qui publiera le premier roman d’analyse français: La Princesse de Clèves. Le 18e siècle (1715-1799) est connu sous le nom d’Age des Lumières. Les “philosophes” brassent des idées nouvelles et remettent en question l’ordre établi par la religion et la royauté, préparant ainsi la future révolution de 1789. Le rationalisme (l’esprit critique) et la sensibilité sont les deux polarités qui s’opposent ou se complètent. Dans ce cours, nous nous limiterons à la lecture d’œuvres romanesques (conte et roman), au théâtre de sentiments de Marivaux ainsi qu’au théâtre de Beaumarchais, l’agent secret du gouvernement qui fournira en 1775 des armes aux insurgés américains.



FRW 4770 Black Literature of French Expression
TR 12:30-1:45 Prof. Spacagna DIF 202

La Francophonie est un vaste ensemble mondial de langue française qui inclut l’Hexagone (la France), les autres pays de langue française (Belgique, Suisse, Afrique de l’ouest, etc.) et ceux qui considèrent le français comme deuxième langue nationale après l’anglais (le Nigeria) ainsi que les communautés de personnes éduquées pratiquant le français (Liban, Vietnam, Ile Maurice; Seychelles, etc.), en tout 62 pays.

Ce cours est une initiation à la très riche littérature negro-africaine francophone (Antilles, Afrique et Madagascar). Les œuvres étudiées sont toutes du XXe siècle. Elles comporteront 5 genres: essai, poésie, roman, théâtre, et conte. Certains concepts littéraires, comme la négritude, le réalisme merveilleux, la créolité, etc., ainsi que certaines préoccupations particulières des auteurs francophones étudiés (problèmes linguistiques, quête de l’identité, oraliture, exotisme, eurocentrisme, errance, déracinement, nouveau baroque, etc.), seront examinés en détail. Les auteurs au programme incluront entre autres Aimé Césaire, Patrick Chamoiseau, Maryse Condé, René Depestre, Kourouma, Ahmadou, et Laye, Camara.



FRE 4930-01 Immigration in France
TR 3:35-4:50 Prof. Hargreaves DIF 102
Immigration and National Identity in France

Immigration is one of the most hotly debated issues in contemporary France. The Islamic headscarf affair, the rise of the extreme-right National Front and the reform of nationality and citizenship laws are just some of the issues, which have emerged in the last twenty years. In exploring these developments, this course examines the ways in which immigration and ethnicity have been helping to reshape the contours of French society. Working within an inter-disciplinary and comparative framework, students are invited to consider how far France can be said to display a distinctive profile in the field of ethnic relations compared with other countries such as the United States and Great Britain. After a theoretical and historical introduction, the course focuses on the post-war period, and in particular on the 1980s and 1990s, when minorities originating in Third World, especially Islamic, countries, have been at the center of key debates in French politics, society and culture. Among the topics covered are minority ethnic settlement, multiculturalism, nationality and citizenship, racism, extreme-right politics and anti-discrimination policy. The course is taught in English and may be taken by students without a reading knowledge of French.



FRE 4930-02 Femmes et Francophonie: Littérature et Film
MWF 2:30-3:20. Prof. Brahimi. 202 DIF.

This course explores the status and experiences of women in French-speaking North and Sub-Saharan Africa as expressed in their own terms through literature and film. The influence of patriarchal traditions, the legacy of colonialism and the challenges and opportunities of an increasingly globalized world for women in francophone Africa are examined in key novels and feature films. The course is taught in French by Professor Denise Brahimi, of the Université de Paris VII, who is the author of numerous books and articles on a wide range of regions and periods in French and Francophone cultures, with particular interests in women writers of North and Sub-Saharan Africa. She is Visiting Professor in the Winthrop-King Institute for Contemporary French and Francophone Studies for Spring 2003.



FOW 4540 Franco-American Culture Wars
MWF 1:25-2:15 Prof. Cloonan Dif 112
Prerequisite: HUM 2250: 18th Century, Romanticism to Postmodernism, or permission of the instructor.

Through the study of literary texts and examples selected from the visual arts this course will trace a shift in the cultural balance of power between the United States and France. The course begins with an examination of the nineteenth-century American sense of inferiority before France’s achievements in literature and painting, and then will trace how a variety of aesthetic developments and political events will precipitate the slow decline of French preeminence and the inexorable rise of twentieth-century American dominance in the cultural as well as political realms. Readings include Henry James, Gertrude Stein, Hemingway, Beauvoir, Sartre, Baldwin, Sollers, Echnoz, and Auster.



LIN 4930 Second Language Acquisition and the Noun Phrase Accessibility Hierarchy (NPAH)
MWF 3:35-4:50 Prof. Mitchell

 
       
     
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