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Click on the numbers to get more information about the sections |
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| 1.
Objectifying
and Commodifying Emotions
2. Adapting Emotions in German Literature |
3.
Detachment
and Displacement in Literature and Film
4. Death and the Automobile 5. Textual and Subtextual Manipulation of Emotions 6.Emotions and Identity: Cultural Nationalisms in Asian Film 7. Female Agency and the Patriarchy 8. Sound and Image in Film: Association and Dissociation I 9. Theory and Methodology: Film 10. Moving Company: Five Women Writers Read From Their Works 11. African American Identity and Community |
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| 12.
The
Emotional Journey of Self-Justification
13. Masculinities I: Male Control, Identity and Rage 14. Problems of Social Class and Morality 15. Three Masters: Ford, Hitchcock, Rohmer 16. Issues of Female Identity: Gender, Genre and Theme 17. Studies in Genres and Themes I: Comedy, Happiness, Love and the Musical 18. Theorizing the Emotions in Film and Dance 19. Aesthetics of Pleasure, Pain, Despair and Sorrow in Poetry and Prose |
21.
Gay/Lesbian
Issues
22. Emotion and Film: Genre, Point of View and Identification 23. Studies in Genres and Themes II: Horror, Fear, Despair, and Pleasurable Pain 24. Body/Nation/Race: Embodiments of Power in Film 25. Masculinities II: Hegemony, White Gaze, Sexuality, Race, Guilt 26. The South in Literature and Film 27. Stanley Cavell on Moving Pictures, Feeling Words 28. Women's Voices Drowned and Heard 29. Narrative Practice and Reception of Film |
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Laura Kipnis, Northwestern University Auditorium 1:30 pm - 3:00 pm |
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| 30.
War
on Film: Love/Violence, Propaganda, Patriotism
31. Personal and National Identities 32. Disciplining Emotions 33. "How Queer!” The Disciplining of Emotion Through Genre 34. Cinematic Strategies of Visualization: Fragmentation, Oscillation, and Border Crossing 35. Genre, History and Class in Hispanic Literature and Titanic Emotions 36. Female Sexuality: Control and Liberation 37. "Of Course, The Book Was So Much Better!" Well…Maybe 38. Troubled Passions in Film: Paranoia, Deception, Jealousy 39. Emotional Colonization and Integration 40. Emotions in the Cinema: Gender/Genre/Aesthetics/Theory |
41.
Italian
Literature and Film and Italian/American Film
42. Men's Emotions and the Threat of Violence in American Narrative Film 43. Lost in Translation: Madwomen, Literature and Women in Film 44. Affect and Emotion in Deleuze's Film Theory 45. Human Dualities; and "Wholly Other" Intersubjectivities 46. Utopia/Dystopia in Literature and Film 47. Sound and Image in Film: Association and Dissociation II 48. Screening American Culture: Cohesion, Estrangement, Violence 49. Masculinities III: Masculine Manipulations |