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Click on the numbers to get more information about the sections |
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| 1.
Negotiating Masculinity I: Political/Personal Identities, Reversals, and
Tattoos
2. 3. Intertextuality: Analogies, Transpositions 4. Modes and Strategies of Making and Viewing Film I: The Invisible, Aesthetics, Screen Time 5. Cultural Identities: African, Caribbean, and African American 6. Russian Literature and Film: History, Philosophy, Myth, and Intertextuality 7. Italian Literature and Film: Utopia, Humor, and History 8. Vision and Revision: History, Memory, and Film |
10.
Latino(a) Authors Read Their Work
11. Noir(esque): Amnesia and Anamnesis 12. After a Century: Classical, Post-Classical, Alternative Cinema 13. Postmodern Narratives: Incoherency, Nonlinearity, Diminishing Referentiality 14. Negotiating Masculinity II: Fathers and Family Men 15. On the Edge of Gender: Transcendences 16. Colonialism/Imperialism I 18. Adaptations of the Apocalypse 19. Alfred Hitchcock: Sexuality, Spectatorship, Nostalgia 20. Mythic Quests and Heroes 21. Native Americans: (Counter) Hegemonics 22. Mixed-Race Problematics |
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| 23.
Fin-de-siecle Homoerotics
24. Apocalypticism and Catastrophic Narrative 25. Revision(ism) of Racism and Sexism in American 26. Modes and Strategies of Making and Viewing 27. Millennial Shakespeare 28. French Cinema at the Millennium 29. Liminal Masculinities 30. Film as Ideological Critique: Oppression/ Capitalism/ Nationalism 31. (De)Mythification, Religion, Time (Cycles) and 32. Genre and Context: Comedy, Tragedy, Satire 33. Women Writing Women 34. Women Writers on the Edge of Time |
35.
Corporeality at the Millennium: Bodies that are gendered, raced, costumed
and eaten
36. Nostalgia: Looking Back/Looking Forward 37. Dystopia: Objectification, Fascism, Consumerism, Abjection, High Tech 39. New Interactivities I: Digital, Devised Video, Pokemon 40. Jane Campion's The Piano and Sweetie: The Gaze, Gender, and Sexuality 41. Jane Campion's The Piano and Sweetie: The Gaze, Gender, and Sexuality 42. Violence, Race, and Gender 43. Imagery, Ethics and Politics of Violence in in American Film and TV 44. Sado-Masochism and Anality |
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| 45.
Textual-Visual Montage: Subversion, Fragmentation, Remembrance, Underground
Comics
46. Filmic Indeterminacy, Irony, Ambiguity, Discontinuity and the Absurd 47. Film Documentary/"Documentary": Authenticity, Identity, Agency 48. Science Fiction: Genre, Time/Space, Cultural Malaise and Camp 49. Colonialism/Imperialism: Revision(ism), Orientalism 50. New Interactivities II: Cyber Narrativity 51. Issues of American Cultural Identity in Film 52. I Like It Like That: A Case Study in Race, Gender and Technology 53. Millennial Genres: Stella Dallas Meets Dr. Jekyll Meets Buster Keaton 54. Medical Discourses and Eugenics: Misogyny, Therapy, Censorship |
55.
Nostalgic Nostalgia: Spain on the Edge of Time
56. Music in Film and Video: (Railroad) Tracking, Conducting, Composing, HipHop 57. Ethnography: Otherness and Assimilation 58. The Matrix and Other SciFi Films: Myths, Dystopia, Anxiety 59. Ideological Critique of Film and TV Reportage: Subversion, Xenophobia, Domination 60. Montage in Film: Indeterminacy, Desire/Containment, Fiction/Fact 61. (Re)Popularizing Shakespeare With Film 62. (Post)Colonialism in Italian and Italian American Literature and Film 63. Vision/Revision in and of Historical Narratives: Subjectivity, Structure, Dialectics 64. Apocalypse, Ethics and Artistic Creativity |