Curriculum Vitae

Margaret L Eginton

January 29, 2013

General Information

University address:	FSU/Asolo Conservatory
School of Theatre
Coll Vis Arts, Theatre & Dance
FINE ARTS BUILDING 0239/Sarasota
Florida State University
Tallahassee, Florida 32306-1160

E-mail address:	margaret.eginton@conservatory.fsu.edu

Web site:	egintonalignment.com

Professional Preparation

1997	Master of Fine Arts, The University Of Iowa, Iowa City, IA. Major: Theatre Arts. Directing/ Acting. Supervisor: Eric Forsythe. Iowa Arts Fellow. 

Margaret Eginton. (1997). Who (free adapation of Andreyev's He Who Gets Slapped) and production direction. Unpublished master's thesis, The University Of Iowa, Iowa City, IA. 

1977	BA, Sarah Lawrence College, Bronxville, NY. Major: Dance/ Philosophy. Choreography/Phenomenology. Supervisor: Bessie Schoenberg. Honors. 

Meg Eginton. (1977). Leaving Home. Evening Length Dance Concert, Sarah Lawrence College, Bronxville, NY. 

Postdegree Education and Training

1977–2011	Ballet: Maggie Black (1977-1994), Antony Tudor Trust: John Gardner and Amanda McKerrow (American Ballet Theatre Principals) (2011); Adrian Ciabanu (Vaganova) 2008-2010); Deborah Vinton (Cechetti Master Examiner) (2007); Gina Wexler (Kirov Floor Barre) (2007-2010). 

2009	Resistant Weight lifting for Men with sports science physical therapist and Ken Stevens. 

2004–2006	Capoeira: Brazilian martial art; Volta au Mondo. 

1993–1994	Rubenfeld Method and supervision of Alexander/Feldenkrais Practice: Ilana Rubenfeld. 

1993–1994	Voice: Catherine Fitzmaurice. 

1980–1994	Acting: Herbert Berghof (1980); Wynn Handman (1989-91); Fred Kareman (1992-1994) David Mamet (1988). 

1977–1994	Modern Dance: Merce Cunningham, Jose Limon, Erik Hawkins, Louis Falco, Dan Wagoner, Viola Farber, Jeanette Stoner, Mary Overlie. 

1993	Speech and Voice: Lilene Mansell. 

Professional Credential(s)

2010–2015	Renewal Registered Movement Therapist and Registered Movement Educator. Examined by International Somatic Movement Education and Therapy Association. 

1987–2013	Yoga: Integral Hatha Yoga certification 1989 (lapsed), Bikram study, Hot Vinyasa (Yoga Alliance 200RYT) certification study in progress. 

1994–2004	Registered Movement Therapist and Registered Movement Educator. Examined by: International Somatic Movement Education and Therapy Association. 

1987–1994	Alexander Technique and Feldenkrais Work Training and Apprenticeship for certification with International Somatic Education and Therapy Association: master teacher Lydia Yohay (faculty American Alexander Technique Association, Feldenkrais Guild). 

Professional Experience

2011–present	Associate Professor, "Associate In", FSU/Asolo Conservatory, Florida State University. Head of Movement and Dance.

2012–2013	Associate Professor, "Associate In" Professional Development Leave, FSU/Asolo Conservatory, Florida State University. 

2003–2011	Adjunct Professor of Theatre Arts, Dance, and Theatre Composition, Humanities, New College of Florida, Sarasota, FL. Responsible for teaching Acting I, Acting II, and Interdisciplinary Studies. 1 course per semester. 1 interim intensive course per year, 1 faculty led student artistic project per year.

2007–2010	Associate Professor "Associate In", Florida State University. 

2006–2009	Associate Director, International Institute for Performing Arts, Paris FR. Responsible for working with Director Aurelia Nolin on planning for workshops and performances.

2005–2007	Co-Artistic Director, Backlot Arts Best Plays You've Never Heard Series, Sarasota, FL. .Co-Artistic Director, Jack Gilhooley.

2002–2006	Associate Professor "Assistant In", FSU/Asolo Conservatory, Florida State University. Head of Movement.

2004–2005	Interim Director, FSU/Asolo Conservatory, Florida State University/Asolo Conservatory for Actor Training, Sarasota, FL. Responsible for oversight of Conservatory Program: Academic calender and courses, budget, season production, marketing, retainment of students, training of new staff, negotiating costume and scene shop contracts with Asolo Theatre, facility upgrade, London Program, Actors Equity program, guest teachers, student workshop in Paris, placement of technical production MFA students in Conservatory and Asolo Theatre (coordinated with Robert Coleman). Reported to Dean Steven Wallace and Provost Lawrence Abele.

2002–2003	Assistant Director, Parsifal, Seattle Opera. Responsible for working on production preparation with Francois Rochaix, stage director. Choreographed Act II love scene: Kundry and Parsifal. Choreographed Flower Maidens. Responsible for stage stage direction of Knights of the Grail. Notated blocking and movement for entire opera, and assisted Mr. Rochaix in meetings with designer Robert Israel and Composer Asher Fisher.

1997–2002	Head of Movement, American Repertory Theatre/Moscow Art Theatre, Institute for Advanced Theatre Training at Harvard University, Cambridge, MA. Responsible for teaching all movement and dance classes, directing Institute productions,and coordinating Russian movement faculty in Cambridge and Moscow, as well as leading student productions on international tours.

1997–2002	Resident Movement Coach, American Repertory Theatre at Harvard University, Cambridge, MA. Coaching and movement direction of actors for all professional repertory season plays, and all institute productions. 47 productions. Choreography when requested by directors. Selected productions listed under Performance.

1995–1997	Co-Artistic Director, New Play Series, Inner Ear at Arts Iowa City, Iowa City, IA. Responsible for schedule and directing of rehearsed readings of new plays by Naomi Wallace, Rebecca Gilman, Todd Ristau, Robert Alexander, Robert Stone, Sergei Task, David Hancock, others. Co-Artistic Director, Maggie Conroy.

1988–1996	Movement Teacher, Summer Intensive in Montpelier and Burlington, VT, Yearly six week Summer Acting Workshop, Atlantic Theater, New York, NY. Responsible for teaching two movement for actors classes in the morning, and movement coaching Scott Zigler and David Mamet's scene study class in the afternoon.

1987–1994	Head of Movement, Practical Aesthetics Workshop, BFA program in Acting, NYU Tisch School for the Arts/ Atlantic Theater, New York, NY. Responsible for creation of 3 year BFA Movement for Actors Program; teaching, hire and coordinate other teachers; coach productions.

1989–1994	Free Lance Actor, New York, NY; Los Angeles, CA. On and off-Broadway, film, television, commercials, voice overs. See Performance for selected credits.

1987–1989	Female Lead, starring role, Bill Irwin and Friends, Largely New York: New York, NY; Seattle, WA: Washington, DC; San Francisco, CA. "The Post Modern Soloist". acting, dancing, and choreography for my role. This play was nominated for 4 Tonys, including 'Best Choreography'.

1984–1987	Leading Dancer, Post Modern Dance Company, Stephen Petronio and Dancers, New York, NY. Extensive European and National Touring.

1980–1987	Artistic Director and Choreographer, Modern Dance Company, Meg Eginton and Dancers, New York, NY. Responsible for all choreography and management of small dance company of 4-6 dancers. Performances at all all major modern and contemporary dance venues in New York, NY. Tours to France and Italy.

1982	Dancer, Understudy, Lucinda Childs Dance Company. Lucinda Childs/Philip Glass's Dance at Brooklyn Academy of Music.

1981	Dancer, Twyla Tharp. Dancer for Catherine Wheel Project.

1977–1980	Leading Dancer, Modern Dance Company, Merce Cunningham Dance Company, New York, NY. Responsible for dancing the 13 roles choreographed on me, another 10 in my stage repertory, plus fiver more in my Event repertory. Extensive national and international touring.

1977–1979	Dancer, Modern Dance Company, Douglas Dunn and Dancers, New York, NY. Responsible for dancing. National Tours.

1976–1977	Dancer, Original Viewpoints Group, Mary Overlie and Dance Company, New York, NY. Responsible for improvisational dancing in structured pieces. National tour.

1976–1977	Dancer, Robert Wilson Byrd Hoffman Foundation, New York, NY. Responsible for performing Site Specific theatre and movement works throughout New York City, NY.

1976	Dancer, Einstein on the Beach Dances, Andy de Groat and Dancers, New York, NY. 

Language Proficiency

French - intermediate in speaking and reading; rudimentary in writing.
French - intermediate in speaking and reading; rudimentary in writing.

Visiting Professorship(s)

2012	Principia College, Visiting Professor of Theatre and Dance. 

2001–2002	Harvard Extension School, Harvard University, Cambridge, MA. Responsible for creating and teaching a course in Physical Scene Study (acting and movement). 

1997	Visiting Assistant Professor, Theatre Arts, The University of Iowa, Iowa City, IA. Responsible for teaching Alexander Technique. 

Artist/Designer in Residence

2013	Guest Artistic Director, Principia College/Left Bank Dance Romeo and Juliet Dance and Theatre Cross-disciplinary Immersion Workshop and Documentary. 

2012	Guest Artist Choreographer; Principia College, Elsah, IL. 

2012	Master Teacher, Atlantic Theater Company; Burlington, VT. 

2012	Guest Artist Choreographer; Principia College; Elsah, IL. 

2011	Master Teacher, Atlantic Theater; Burlington, VT. 

2010–2011	Visiting Artist; Principia College; Elsah, IL Responsible for setting original dance commission, Cezanne's Doubt (Eginton). Taught 4 master classes in Eginton Alignment: 2 for voice and speech, 1 for modern dancers, and 1 for actors. 

2011	Guest Artist. Antony Tudor Trust, St. Louis, MO. Collaborated with curriculum committee members on Les Jardin aux Lilas. Committee members: Amanda McKerrow, John Gardner, Hilary Harper committee chair, and Sally Bliss, director of Tudor Trust. 

2010	Guest Artist, Alumna. Merce Cunningham Dance Company. Responsible for performing in Merce's Memorial Event, Park Avenue Armory, New York, NY. 

2010	Visiting Artist, Principia College, Elsah, IL. Responsible for coaching theatre and dance students in performance, 2 Viewpoints master classes, 4 master classes in Eginton Alignment, and training an Eginton Alignment teacher. 

2009	Visiting Artist, NYU Tisch School for the Arts/Atlantic Theater Conservatory, New York, NY. Responsible for teaching period style and directing improvisational 'Etudes' in period styles: Elizabethan, Antebellum, Chekhov. 

2009	Guest Artist: Sarasota Ballet, Sarasota, FL. Cunningham Technique classes, summer intensive program; Apprentice classes, fall. 

2009	Master Teacher, Atlantic Theater Advanced Acting Workshop, Burlington, VT. Responsible for teaching morning Eginton Alignment classes, and afternoon scene study, co-taught with Scott Zigler. 

2008	Master Teacher, Atlantic Theater Company, Burlington, VT. Responsible for morning Eginton Alignment classes and afternoon scene study classes, co-taught with Scott Zigler. 

2008	Visiting Artist, Principia College, Elsah, IL. Responsible for coaching "Streetcar Named Desire" (Williams). 

2007	Master Teacher, Atlantic Theater Advanced Acting Workshop, Burlington, VT. Responsible for teaching morning Eginton Alignment classes and afternoon scene study classes, co-taught with Scott Zigler. 

2006	Visiting Artist, International Institute for Performing Arts, Paris, FR. Responsible for development of original work: "Greek Women in Love" (Eginton), using Viewpoints, Laban and original devising techniques. Informal performance with professional actors. 

2006	Visiting Artist, Roy Hart Theatre, Melaragues, FR. Responsible for creating a system of movement pedagogy for Roy Hart Teachers and apprentices. 

2005	Visiting Artist, International Institute of Performing Arts, Paris, FR. Responsible for directing performances of" Boston Marriage" (Mamet) at La Foire Saint-Germain Theatre Festival. 

2005	Guest Artist: International Institute of Performing Arts, Paris FR. Acting for the Camera, co-taught with Robert Bella, faculty Atlantic Theater Conservatory. 

2001	Artist in Residence, University of Bologna, Forli, Italy. Responsible for directing "Cher Moliere" (Moliere, Bulgakov, Valeri, Rochaix, Eginton), an original work of theatre and choreography drawn from plays and biographical information of Moliere and Bulgakov, at Teatro Forli. 

2001	Artist in Residence, Vakhtangov School, Moscow. Responsible for teaching Eginton Alignment,and my Movement for Actors devised theater methods in Andrei Droznin's studio for 2 weeks. 

2001	Guest Artist, Moscow Art Studio, Moscow RU. Responsible for directing Cher Moliere. 

2000	Artist in Residence. Teatro Forli/Teatro Cesenatico, Forli and Cesenatico, IT. Responsible for staging Country Fever with Goldoni (The Holiday Trilogy), and teaching a workshop for women artists, 2 weeks. 

2000	Artist in Residence. Theatre de Vevey, CH. Responsible for staging and directing Country Fever with Goldoni (Holiday Trilogy), and teaching a 10 day workshop in Movement and Improvisation for Professional Actors. 

2000	Visiting Artist, Moscow Art Theatre School, Moscow Ru. Responsible for teaching 2 weeks of Eginton Alignment for Russian acting students and Voice teachers. 

1986–1987	Visiting Artist. Experimental Theatre Wing, New York University Tisch School for the Arts, New York, NY. Responsible for teaching two semesters of Cunningham Technique and chance composition for Actors. 

1986	Guest Artist. Children's Aid Society, New York, NY. Responsible for planning and conducting a six week expressive movement workshop for homeless children, ages 6-10. 

1986	Guest Artist. Yale University Dramatic Arts Program (undergrad), New Haven, CT. Responsible for creating and teaching the first movement for actors classes offered in the program, a six week workshop in improvisation, invited by Michael Earley. 

1985	Guest Artist. Kennedy Special Arts, New York, NY. Responsible for creating/teaching 8 week workshop in expressive movement for "extremely developmentally disabled adults" followed by a performance at Kennedy Special Arts Day, Washington Square Park, New York, NY. 

1985	Guest Artist. Commune di Napoli, IT. Responsible for artistic direction and performance of Bad News and Veii (Meg Eginton and Dancers) at Castello dell' Uovo. and a one week dance composition workshop. 

1982	Guest Artist, Spazio Zero, Rome, IT. R Responsible for artistic direction and 6 performances of Bad News (Meg Eginton and Dancers) and 1 week dance composition workshop. 

Fellowship(s)

New Music New College (2011).
New College of Florida Foundation Fellowship (2008–2009).
Harvard Childcare Fellowship (merit) (1998–2002).
Iowa Arts Fellowship (1996–1997).
Iowa Arts Fellowship (1995–1996).
Iowa Arts Fellowship (1994–1995).
New York Foundation for the Arts Fellowship (1986).
New York Foundation for the Arts Fellowship (1985).
New York Foundation for the Arts Fellowship (1984).
American Dance Festival Young Professional Artist Fellowship (1975).

Honors, Awards, and Prizes

Excellence in Teaching Nomination, FSU (2011). 
Provost's Letter for Excellence in Teaching, Florida State University (2010). 
Provost's Letter for Excellence in Teaching, Florida State University (2009). 
Who's Who in American Education (2009). 
Designated Master Teacher, Atlantic Theater Company (2008). 
Who's Who in American Women (2008). 
'CRYSTAL BELL' Award, 8th International Volkov Theatre Festival (2007). 
Best Production, Boston Marriage, Sarasota Weekly (2005). 
Best Foreign Production, Boston Marriage, La Foire Saint-Germain (2005). 
Best Direction, The Shape of Things, Sarasota Weekly (2004). 
HANDY Best Direction Award, The Shape of Things, Sarasota Herald Tribune (2004). 
Provost's Letter for Excellence in Teaching, Florida State University (2003). 
Distinguished Alumni Hall of Fame, The University of Iowa Theatre Arts (2002). 
IRAM Best Direction of New Play Award for "Who" (Eginton), Iowa Playwrights Workshop (1997). ($500). 
IRAM Best Direction of New Play Award for "Modi" (Task), and "Black Monk" (Kesselman), Iowa Playwrights Workshop (1996). ($500). 
TONY AWARD nominations for "Largely New York": Best Choreography(show nominated for 5 Tonys total), Tonys (1989). ($0). 
'BESSIE' New York Dance and Theatre Award for Outstanding Performance, DTW (1987). 
National Merit Finalist, National Merit (1973). 

Current Membership in Professional Organizations

American Association of University Women 
American Theatre in Higher Education 
International Somatic Education and Therapy Association 
Theatre Communications Group 

Teaching

I teach Movement for Actors within the FSU/Asolo Conservatory. My classes meet four mornings a week. Both first and second year conservatory actors receive 6 hours of instruction per week. My classroom teaching contact hours are 12 hours per week. Movement units for the first year class include sensory awareness and relaxation techniques, yoga, anatomy and neuroscience useful to actors, tumbling and acrobatics, Viewpoints, and Laban. Movement units for the second year class include ballet for actors, social dance forms, contact improvisation, Commedia dell'Arte, restoration and baroque dances and behavior style, and application of Laban to development of physical characterization. In addition to class time work, students also receive Eginton Alignment and Alexander Technique lessons outside of class time which total another 4-6 contact hours with students per week. When FSU directing students were enrolled for a year at the conservatory I taught DIS's on Viewpoints, and have also taught DIS's on how to teach Movement for Actors. Both students who studied movement teaching with me are now employed as movement professors. In the past I was also asked to coach and direct Conservatory productions. Contact hours on tutorials and in-class and production coaching are part of my AOR, and this work is part of teaching. I have not received those opportunities in years. I am a frequent (and repeat) guest movement teacher at other conservatories and liberal arts programs, where I teach many of the components of my FSU movement program. 

Courses Taught

Alexander Technique Lessons/ All 2nd year actors -- FSU/Asolo (DIS)
Eginton Alignment Private Lessons/all 1st year students -- FSU/Asolo (DIS)
Movement for Actors I- FSU/Asolo (TPP5515)
Movement for Actors II -- FSU/Asolo (TPP5516)
Acting I, New College of Florida
Acting II -- New College of Florida
Introduction to London Theatre -- FSU (THE3061)
Interdisciplinary Performance Practice -- New College of Florida
Viewpoints: Movement and Sound -- New College of Florida
History of Movement in Directing, directors -- FSU/Asolo (DIS)
Viewpoints for Directors/ Ryan Clark --FSU (DIS)
Apprenticeships: Teaching Movement for Actors/ Lucianne Lajoie and Heather Corwin (DIS)
Directors Seminar--Institute for Advanced Theatre Training at Harvard
Movement for Actors I, II -- Institute for Advanced Theatre Training at Harvard
Ballet and Period Dance --- Institute for Advanced Theatre Training at Harvard
Movement Design for Directors -- Institute for Advanced Theatre Training at Harvard
Alexander Technique group class-- The University of Iowa
Movement and Dance I, II, III -- NYU/Atlantic Theater Studio
Cunningham Technique and Chance Improvisation -- NYU Experimental Theater Wing

New Course Development

Acting for Dancers, Antony Tudor Trust, St. Louis, MO (2010)
Interdisciplinary Performance Practice--New College of Florida (2010)
Viewpoints: Movement and Sound -- New College of Florida (2008)
Movement I Revision (2008)
Movement II revision (2008)
Acting I, New College of Florida (2003)
Acting II, New College of Florida (2003)
Movement I (2003)
Movement II (2003)
Teaching Movement for Actors (2003)
Physical Scene Study for Actors (2001)
Design for Directors (1999)
Alexander Technique for Actors (1997)
Cunningham Technique and Chance for Actors, Experimental Theatre Wing, Tisch (1986)
Improvisation and Devising for Actors, Yale Undergraduate Drama Program (1986)

Curriculum Development

A curriculum in "acting for dancers" in story ballets using Practical Aesthetics acting technique. Applied already to the works of Antony Tudor and Sir Kenneth McMillan in workshops led by American Ballet Theatre retired Principal Dancers Amanda McKerrow and John Gardner, and used in the higher education Antony Tudor curriculum being developed by the Antony Tudor Ballet Trust Curriculum Committee (2010)
Revising of FSU/Asolo Conservatory movement program, to meet requests of new Conservatory director and new Asolo theatre director (2008)
Eginton Alignment Teacher Training Program. A comprehensive 350 hour training program: study of functional anatomy, Alexander Technique, Feldenkrais Work, Somatic Therapy Techniques, coaching of scenes and plays, and hands-on table work level one. First graduate 12/ 2009, Julianne Kusmierczyk, Atlantic Theater NY/LA. Teachers-In-Training: Nick Newell, Bridgewater State University; Hilary Harper, Chrissy Steele, Principia, Luciann Lajoie, Denver University, Peggy Trecker, Hilton Head Theatre (2008)
Movement Program Creation. FSU/Asolo Conservatory. Establishment of 4 semester cumulative program of movement training for MFA candidates (2002)
Movement Program Creation -- American Repertory Theatre/Moscow Art Theatre Institute for Advanced Theatre Training at Harvard University. 4.5 Semester cumulative program of movement training for MFA candidates (1998)
Movement Program Creation-- Atlantic Theater Studio within New York University Tisch School for the Arts. 6 semester cumulative program of movement and dance training for BFA theater students (1990)

Master's Committee Member

108 FSU/Asolo graduates 2003-2013, graduate. (2013). 

Bachelor's Committee Member

Bobeck, K., graduate. (2012). Insite/Out.  [Interdisciplinary Performance Practice]
Eric Paul Jakobsen (New College), student. 
Martin, C., student. (2012). Playing Fire.  [Interdisciplinary Performance Student]
McMullen, Caitlin (New College), student. (2012). Playing Fire (co-thesis with Chrissy Martin).  
Reams, Randi (New College of Florida), student. (2011). 

Supervision of Student Research Not Related to Thesis or Dissertation

Class of 2006 (May–Jun 2005). 

Alix Jones, Leigh Anne Wuest, Darlene Horn, Paul M (2005). 

Coaching in Acting Class

Eginton, M. L., & Malaev, A. (2005–2008). Coaching Movement in Acting Class, 3 days a week. FSU/Asolo Conservatory. 

Collaborative Teaching

Eginton, M. L., & Delorey, P. (2004–2006). Eginton Alignment/Fitzmaurice Voice Work Combined Workshop for first and second year students first two weeks of school. FSU/Asolo Conservatory. 

Eginton, M. L., & Delorey, P. (2004–2006). Choral Workshop. Work on voice and movement in choral forms, using Classical Greek text, to build stamina and coordination of voice and body. FSU/Asolo Conservatory. 

Eginton, M. L., & Pekurney, B. (2003–2005). Acting for the Camera. FSU/Asolo Conservatory. 

Research and Original Creative Work

Please note that all "Original Choreography" works were presented in either invited or juried performances. All of it was internationally, nationally, and Sarasota reviewed, except for "Antibes" and "Homage (a Matisse) my two new works, and "Man with Blue Guitar" which was not reviewed but artistically significant to me. To repeat all the dances again in the Performance section, seemed redundant to me, though I did mention a few where I also worked as a director or movement director (not coach). There also isn't a way to make clear if a piece of choreography was produced (paid for) by a dance organization or a professional theatre -- or if was a university dance concert or theatre production. All of the dances here listed were produced by professional presenting organizations and institutions of higher learning. I have not included works that were self produced. Finally, all of my dancing work as a performer involved touring extensively in the United States and Europe, including with my own company. I have chosen to put my work with the companies of Merce Cunningham (3 years, 23 dances, 9 made on me), Stephen Petronio Dance Company (4 years, 5 dances, and a Bessie award), Douglas Dunn, Mary Overlie, Andy de Groat, and Robert Wilson under Professional Experience because I was hired into their companies, rather than performed just one of their works. This C.V. would be ridiculously long if I listed every dance and every venue that I performed in. Because of this I have limited venues to first performances of works, in most cases. Under "Original Choreography" I have only included theatre choreography that was significant. In other words, choreography of an entire dance important to the production and my artistic record. If I made a little ditty of a dance for a play I called it Movement Coaching, and put it under Performances. The "Original Choreography" list is very selected. The Movement Coaching under Performance is also very selected and includes only work that I consider important to either FSU or my artistic record. As I on professional leave I don't have my reviews with me in Iowa. I will attach review citations when I return to Sarasota, if not before. 

Program of Research and/or Focus of Original Creative Work

I am a versatile theatre and dance artist and educator interested in creating new work in dance and theatre, directing plays, and teaching the next generation of performing artists. My objective for my future is the same as it always has been: to be a great artist who enlivens the world with artistic research, performance, and accessible expressive endeavors. I create performance works in theatre, interdisciplinary performance, and dance. I direct plays and have staged and directed opera. My current work in theatre and dance is an extension and further investigation of the first half of my professional career, which was in classical modern dance and avant garde theatre. My method of movement education and alignment training, Eginton Alignment, and its teacher certification program, and a text for Movement for Actors teaching are the subjects of my research and scholarly activity. 

Publications

Invited Journal Articles

Eginton, M. L. (1991). Shelley Washington: ballet mistress. Dance Ink, 1 (2), 21-23.

Eginton, M. L. (1991). The Eye of the Observer. Dance Ink, 2 (1), 10-11.

Eginton, M. L. (1990). Dancing on Broadway. Dance Ink, 1 (1), 17-19.

Eginton, M. L. (1990). Senta Driver Takes the Plunge. Dance Ink, 2 (2), 26-28.

Eginton, M. L. (1979). A Lifetime in Dance. Performing Arts Journal, 4, 106-117.

Invited Books

Eginton, M. L., Friedman, L., White, D., & Tibbets, T. (1993). The Poor Dancer's Almanac. Durham, NC: Duke University Press. 

Invited Book Chapters

Eginton, M. L., & Howell, J. A. (1999). A Lifetime in Dance: Bessie Schonberg. In Marranca, B., & Dasgupta, G. (Eds.), Conversations on Art and Performance (pp. 112-121). John Hopkins Press, Performing Arts Journal. 

Eginton, M. L. (1982). Meg Eginton. In Donatella Bertozzi, & Silvana Barbarini (Eds.), New York Nuova Danza. Rome: DiGiacom Editore. 

Presentations

Invited Papers at Conferences

Eginton, M. L., & Miles, S. G. (presented 2012, October). "The Potential Space of the Gettysburg Project". Paper presented at Our Countries, Our Cultures, Conference on Social Theory, Politics, and the Arts, University of Louisiana, Baton Rouge, LA. (National)

Eginton, M. L., & Miles, S. G. (presented 2011, November). "Winnicott's Potential Space: The Gettysburg Project. Paper presented at Joint Conference, Society for Ethnomusicology and Congress on Research in Dance, Philadelphia, PA. (National)

Refereed Papers at Conferences

Eginton, M. L., & Delorey, P. (presented 2007, July). Building Voice and Movement Bridges. Paper presented at American Theatre in Higher Education, American Theatre in Higher Education, New Orleans, LA. (National)

Nonrefereed Papers at Conferences

Eginton, M. L., & Delorey, P. (presented 2007, January). Building Voice and Movement Bridges. Paper presented at Kennedy Center College Theatre Festival, KCCTF, New Paulz, NY. (National)

Invited Presentations at Conferences

Eginton, M. L., Miles, S. G., Bobek, K., Martin, C., & McMullin, C. (presented 2012, October). "Boundaries and Space: Experimental Performance and the Framing of Social Experience. Presentation at 40th Annual Conference, Social Theory, Politics and the Arts, University of Louisiana, Baton Rouge, LA. (National)

Eginton, M. L., Fox, J., Horowitz, I., & Bella, R. (presented 2005, July). American Acting Training. Presentation at Theatre Training, La Foire Saint Germain, Paris, FR. (International)

Eginton, M. L., Rochaix, F., & Droznin, A. (presented 2000, June). Goldoni for Today. Presentation at Teatro Forli, University of Bologna, Forli, IT. (International)

Invited Lectures and Readings of Original Work

Eginton, M. L. (2011, January). Eginton Alignment. Delivered at Principia College, Principia College. (Regional)

Eginton, M. L. (2010, December). Acting for Dancers. Delivered at Antony Tudor Trust, St. Louis, MO. (National)

Master Classes

Eginton, M. L. (2010, September). Eginton Alignment. Master class delivered at American Repertory Theatre/Moscow Art Theatre Institute for Advanced Theatre Training at Harvard University, Harvard University. (National)

Eginton, M. L. (2007, October). Professional Studies Examination: Psychological Gesture. Master class delivered at Yaroslavl Dramatic Arts Academy, Yaraslavl, RU. (International)

Eginton, M. L. (2001). Eginton Alignment. Master class delivered at Moscow Art Theatre, Moscow Art Theatre. (International)

Original Creative Works

Scripts or Screenplays

Eginton, M. L., & Jakobsen, E. L. (Writer). (submitted). Rat Race: The Secret Life of ThemePark [Physical Theater Script]. Manuscript submitted for publication.

Films

Eginton, M. L. (Director). (1984). Chin Music. Rome, IT: Spazio Zero. 

Eginton, M. L., & Bensard, P. (Choreographer and Assistant Director). (1983). Making Dances in New York. Cinemateque de la Danse, Paris. 

Eginton, M. L., & Beckman, E. (Film). (1981). Bad News. New York, NY: White Dog Studio. 

Performed Musical Arrangements

Eginton, M. L., & Stephen Petronio and Company. (Leading Dancer). (contract). Inside/out: Stephen Petronio [Post Modern Dance]. [Origination of the work by Stephen Petronio]. [Artistic direction by Jacobs Pillow Dance Festival]. VHS tape: NTSC color broadcast system: Beckett, MA: Jacobs Pillow Dance Festival. 

Eginton, M. L., & American Repertory Theatre. (Slobodon Unkowski). (2000). Winter's Tale [Play]. [Origination of the work by Shakespeare]. [Artistic direction by Andrei Serban]. American Repertory Theatre, Cambridge, MA: Harvard. 

Original Choreography

Eginton, M. L., & Schwarz, F. (contract). something about aging and a chair (working title) [Dance/Music Collaboration]. Video Installation. 

Eginton, M. L. (2012). Homage (a Matisse) [Modern Dance/Ballet]. Principia College. 

Eginton, M. L. (2012). Antibes [Modern Dance]. Principia College. 

Eginton, M. L. (2012). Le Lac d'Annency Two [Modern Dance/Ballet]. Left Bank Dance. 

Eginton, M. L., & Miles, S. T. (2011). Dreaming Awake [Movement and Dance Interdisciplinary Work]. Sarasota, FL: New Music, New College. 

Eginton, M. L. (2011). Cezanne's Doubt [Ballet]. Sarasota Ballet. 

Eginton, M. L. (2011). Cezanne's Doubt [Modern Dance]. Elsah, IL: Principia College Dancers. 

Eginton, M. L. (2009). Rat Race: The Secret Life of Theme Park [Physical Theatre]. St. Petersburg, FL: Studio@620. 

Eginton, M. L. (2009). Living and Dead: The Gettysburg Project [Interdisciplinary Performance Work]. New College, New Music. 

Eginton, M. L. (2009). Man with Blue Guitar [Theatre/classical]. Sarasota, FL: Sarasota Arts Center. 

Eginton, M. L. (2009). Miss Julie [Theatre Dance and Period Style]. Sarasota, FL: Jane B. Cook Theatre. 

Eginton, M. L. (2008). And Then They Arrived [Modern Dance]. Sarasota, FL: New College of Florida. 

Eginton, M. L. (2006). The Parisian Woman [Theatre Dance]. Sarasota, FL: Historic Asolo Theatre. 

Eginton, M. L. (2006). Greek Women in Love [Physical Theatre]. Paris, FR: International Institute of Performing Arts. 

Eginton, M. L. (2003). Parsifal [Opera Staging]. Seattle, WA: Seattle Opera. 

Eginton, M. L. (2001). Antigone [Physical Theatre]. Cambridge, MA: American Repertory Theatre. 

Eginton, M. L. (2001). Othello [Theatre Dance]. Cambridge, MA: American Repertory Theatre. 

Eginton, M. L. (2001). The Doctor's Dilemma [Theatre Dance]. Cambridge, MA: American Repertory Theatre. 

Eginton, M. L. (2001). Three Farces and a Funeral, adapted from the life of Anton Chekhov by Robert Brustein [Theatre Dance]. Cambridge, MA: American Repertory Theatre. 

Eginton, M. L. (2001). Winter's Tale [Theatre Dance]. Cambridge, MA: American Repertory Theatre. 

Eginton, M. L. (2000). Requiem for a Dead Europe [Physical Theatre]. Cambridge, MA: Zero Church. 

Eginton, M. L. (1999). Sarita (adaptation, Eginton) [Theatre Dance]. Cambridge, MA: Zero Church, ART/IATT. 

Eginton, M. L. (1999). The Importance of Being Earnest (as a 30s musical) [Theatre Dance]. Cambridge, MA: Experimental Theatre, Loeb Center, Harvard University. 

Eginton, M. L. (1999). The Master Builder [Theatre Choreography]. Cambridge, MA: American Repertory Theatre. 

Eginton, M. L. (1998). Sore Throats (adaptation Eginton) [Physical Theatre]. Cambridge, MA: ART/IATT. 

Eginton, M. L. (1996). The Black Monk [Theatre Dance]. Iowa City, IA: The University of Iowa Theatre Arts. 

Eginton, M. L. (1995). The Butcher's Daughter [Theatre Dance]. Mabie Theatre, The University of Iowa: Iowa City, IA. 

Eginton, M. L. (1991). Lonely on the Bayou [Musical Theatre]. New York, NY: Manhattan Class Company. 

Eginton, M. L. (1989). "Bill Irwin's Largely New York" [Modern/Theatre Dance]. City Center; St. James Theatre: New York, New York, The Kennedy Center, DC, Seattle Repertory Theatre. 

Eginton, M. L. (1987). 14 Dance works 1980-1987 created for Meg Eginton and Dancers: Bad News, Veii, Chin Music, Balustrade, America the Beautiful, Bridge Dance, Cornered, Balustrade, Hard Scrabble, Portamento I, Portamento II, Rhapsody Into Dissolve, Le Lac, Wind Shear [Post-Modern Dances]. New York, NY, Paris, Rome, Naples. 

Eginton, M. L. (1985). The Life of Stalin, Part II (Scenic design by Komar and Melamid) [Interdisciplinary Performance]. New York, NY: The Kitchen Center for Music and Dance. 

Performances

Invited Performances

Eginton, M. L. (Movement Coach, Dramaturg). (2008). Speed The Plow [Play]. [Origination of the work by David Mamet]. [Artistic direction by Andrei Malaev-Babel]. FSU/Asolo Conservatory, Sarasota, FL: FSU. 

Eginton, M. L. (Actor: The Mother). (2007). Dissident, Naturally [Play]. [Origination of the work by Michel Vinaver]. [Artistic direction by Aurelia Nolin]. International Institute of Performing Arts, Paris, FR: International Institute of Performing Arts, Paris, FR. 

Eginton, M. L. (Director). (2006). The Syringa Tree [Play]. [Origination of the work by Pamela Gien]. Jane B. Cook Theatre: FSU/Asolo Conservatory. 

Eginton, M. L. (Movement Coach). (2005). Love's Fire [Play]. [Origination of the work by various]. [Artistic direction by Michael Unger]. FSU/Asolo Conservatory, Sarasota, FL: FSU. 

Eginton, M. L. (Movement Coach). (2004). Two Gentlemen of Verona [Play]. [Origination of the work by Shakespeare]. [Artistic direction by Geoffrey Owens]. FSU/Asolo Conservatory: FSU. 

Eginton, M. L. (Movement Coach, Whores Choreography). (2003). The Competition [Play]. [Origination of the work by Gorin]. [Artistic direction by Gil Lazier]. FSU/Asolo Conservatory, Sarasota, FL: FSU. 

Eginton, M. L. (Movement Coach, Dramaturge). (2003). The Conversation [Play]. [Origination of the work by Mark Wheatley]. [Artistic direction by Gil Lazier]. FSU/Asolo Conservatory, Sarasota, FL: FSU. 

Eginton, M. L. (Movement Coach). (2002). Blue Room [Play]. [Origination of the work by David Hare]. [Artistic direction by Lucinda Holshue]. FSU/Asolo Conservatory, Sarasota, FL: FSU. 

Eginton, M. L., Rochaix, F., & The American Repertory Theatre. (co-director). (1998). Mystero Buffo [Play]. [Origination of the work by Dario Fo]. [Artistic direction by Rochaix]. American Repertory Theatre Institute, Cambridge, MA: American Repertory Theatre. 

Eginton, M. L. (Writer/ Choreographer/Director). (1997). Who, or Andreyev Slapped [Play/Dance]. [Origination of the work by Margaret Eginton (inspired by Leonid Andreyev's He Who Gets Slapped)]. [Artistic direction by Margaret Eginton]. Mabie Theatre, The University of Iowa: Iowa City, IA: Theatre Arts. 

Eginton, M. L. (Director). (1996). Modi, World Premiere [Play]. [Origination of the work by Sergei Task]. [Artistic direction by Margaret Eginton]. Iowa Playwrights Workshop: Iowa City, IA: University of Iowa. 

Eginton, M. L. (Director). (1996). The Black Monk, World Premiere [Play]. [Origination of the work by Wendy Kesselman]. [Artistic direction by Margaret Eginton]. David Thayer Theatre, The University of Iowa: Iowa City, IA: Theatre Arts. 

Eginton, M. L. (Director). (1996). The Race for the Ark Tatoo [Play]. [Origination of the work by W. David Hancock]. [Artistic direction by Inner Ear]. Maytag Wharehouse: Iowa City, IA: Inner Ear. 

Eginton, M. L. (Mother, Choreographer). (1995). The Butcher's Daughter [Play]. [Origination of the work by Wendy Kesselman]. [Artistic direction by Mark Hunter]. Mabie Theatre, University of Iowa: Iowa City, IA: University of Iowa. 

Eginton, M. L., Tonoy Whitfield, Beth Lipton, Suleiman Rafai, Donald Woods, Tamar Rogoff, & Peter Richards. (Choreographer). (1989). Resident Alien: teaching, enfranchisement, and self-definition [Panel on Making Dance Downtown New York]. [Origination of the work by all]. [Artistic direction by Movement Research Studies Project]. VHS tape: NTSC color broadcast system: New York, NY: Movement Research. 

Juried Performances

Eginton, M. L., & Miles, S. G. (Choreographer and Director). (2011, November). New Experimental Works [Movement and Music Structured Improvisations]. [Origination of the work by Margaret Eginton and Stephen G. Miles]. [Artistic direction by Stephen Miles]. New College of Florida, Sarasota, FL: New Music New College. 

Eginton, M. L. (Choeographer). (2011, May). Cezanne's Doubt [Ballet]. [Origination of the work by Meg Eginton]. [Artistic direction by Iain Webb]. Merz Theatre, Sarasota, FL: Sarasota Ballet. 

Eginton, M. L. (Writer/director/choreorapher). (2009, September). Rat Race: The Secret Life of ThemePark [Physical Theatre]. [Origination of the work by Margaret Eginton and Eric Paul Jakobsen]. Enzian Theatre, Maitland, FL, Studio@620 St. Petersburg, FL: Enzian Theatre. 

Eginton, M. L. (Writer/director/choreographer). (2009, May). Rat Race: The Secret Life of ThemePark [Physcial Theatre]. [Origination of the work by Mararet Eginton and Eric Paul Jakobsen]. Orlando Fringe Festival, Orlando, FL: Orlando Fringe. 

Eginton, M. L. (Dancer). (2009). Merce Cunningham Memorial Celebration Event [Modern Dance]. [Origination of the work by Merce Cunningham]. [Artistic direction by Trish Lent]. Park Avenue Armory, New York, NY: Cunningham Dance Foundation. 

Eginton, M. L., & Miles, S. (Co-Composer and Director). (2009). Living and Dead: The Gettysburg Project [Interdiscplinary Performance Theatre]. [Origination of the work by Margaret Eginton and Stephen Miles]. New Music, New College: New Music, New College. 

Eginton, M. L. (Actor: Roles: Lika Mizinova, Marya Chekhov, Olga Knipper). (2007, October). My Mocking Happiness [Play]. [Origination of the work by Leonid Malyugin]. [Artistic direction by Andrei Malaev]. St. Petersburg Academy of Dramatic Arts, St. Petersburg, RU: St. Petersburg Academy of Dramatic Arts. 

Eginton, M. L. (Actor: Roles: Lika Mizinova, Marya Chekhov, Olga Knipper). (2007). My Mocking Happiness [Play]. [Origination of the work by Leonid Malyugin]. [Artistic direction by Andrei Malaev-Babel]. International Volkov Theater Festival, Yaraslavl, RU: Volkov Theatre, Russian Federation. 

Eginton, M. L. (Director/Choreographer). (2006). The Syringa Tree [Play]. [Origination of the work by Pamela Gien]. Selby Botanical Gardens, Sarasota, FL: Selby Botanical Gardens. 

Eginton, M. L. (Director). (2005, July). Boston Marriage [Play]. [Origination of the work by David Mamet]. [Artistic direction by Margaret Eginton]. La Foire Saint-Germain, Paris, FR: International Institute of the Performing Arts, Paris, FR. 

Eginton, M. L. (Director). (2004). The Shape of Things [Play]. [Origination of the work by Neil LaBute]. Jane B. Cook Theatre, Sarasota, FL: FSU/Asolo Conservatory. 

Eginton, M. L., Rochaix, F., Israel, R., & Fischer, A. (Asst. Director, choreographer). (2003, August). Parsifal [Opera]. [Origination of the work by Wagner]. [Artistic direction by Speight Jenkins]. Seattle Opera, Seattle, WA: Seattle Opera. 

Eginton, M. L. (Director). (2003). The Imaginary Invalid [Play]. [Origination of the work by Moliere]. Jane B. Cook Theatre: FSU/Asolo Conservatory. 

Eginton, M. L., & American Repertory Theatre. (Movement Coach). (2002). Uncle Vanya [Play]. [Origination of the work by Chekhov]. [Artistic direction by Janos Szasz]. American Repertory Theatre, Cambridge, MA: Harvard. 

Eginton, M. L., & American Repertory Theatre. (Movement Coach). (2001). The Doctor's Dilemma [Play]. [Origination of the work by Shaw]. [Artistic direction by David Wheeler]. American Repertory Theatre, Cambridge, MA: Harvard. 

Eginton, M. L., & Rochaix, F. (Movement Director/Choreographer). (2001). Antigone [Play]. [Origination of the work by Sophocles]. [Artistic direction by Robert Brustein]. American Repertory Theatre, Cambridge, MA: Harvard University. 

Eginton, M. L., & Rochaix, F. (Co-Director). (2001). Cher Moliere [Play]. [Origination of the work by Moliere, Bulgakov, Walter Valeri]. Moscow Art Studio: Moscow Art Theatre. 

Eginton, M. L., & Rochaix, F. (co-Director). (2001). Cher Moliere [Play]. [Origination of the work by Moliere, Bulgakov, Valeri]. Teatro Forli: University of Bologna. 

Eginton, M. L., Rochaix. F., & Valeri, W. (assistant director). (2001). Oedipus of Sophocles [3 Plays]. [Origination of the work by Sophocles]. [Artistic direction by Francois Rochaix]. American Repertory Theater Institute, Cambridge, MA: American Repertory Theatre. 

Eginton, M. L. (Choreography asst.Director). (2000). Escape to the Country, Return to the City (Village Trilogy) [Play]. [Origination of the work by Goldoni, adaptation Walter Valeri]. Teatro Forli/ TeatroCesenatico: Teatro Forli/ Teatro Cesenatice. 

Eginton, M. L., & American Repertory Theatre. (Movement Coach). (2000). How I Learned to Drive [Play]. [Origination of the work by Paula Vogel]. [Artistic direction by David Wheeler]. American Repertory Theatre, Cambridge, MA: Harvard. 

Eginton, M. L., & American Repertory Theatre. (Movement Coach). (2000). Uncle Vanya [Play]. [Origination of the work by Chekhov]. [Artistic direction by Janos Szaz]. American Repertory Theatre, Cambridge, MA: Harvard. 

Eginton, M. L., & Rochaix, F. (Choreographer, asst. Director). (2000). Escape to the Country, Return to the City (Village Trilogy) [Play]. [Origination of the work by Goldoni, adaptation Walter Valeri]. Moscow Art Studio: Moscow Art Theatre. 

Eginton, M. L., & Rochaix, F. (Choreographer, asst- Director). (2000). Escape to the Country, Return to the City (Village Trilogy) [Play]. [Origination of the work by Goldoni, Adaptation Walter Valeri]. Karlsruhe, GDE: City of Karlsruhe. 

Eginton, M. L., & Rochaix, F. (Choreorapher, asst. Director). (2000). Escape to the Country, Return to the City, (Village Trilogy) [Play]. [Origination of the work by Goldoni, Adapatation Walter Valeri]. Theatre de Vevey, Vevey, CH: Theatre de Vevey. 

Eginton, M. L., & American Repertory Theatre. (Movement Coach). (1999). Charlie in the House of Rue [Play]. [Origination of the work by Bob McGrath]. American Repertory Theatre, Cambridge, MA: Harvard. 

Eginton, M. L., & American Repertory Theatre. (Movement Coach). (1999). Ivanov [Play]. [Origination of the work by Chekhov]. [Artistic direction by Yuri Yeremin]. American Repertory Theatre, Cambridge, MA: Harvard. 

Eginton, M. L., & American Repertory Theatre. (Movement Coach). (1999). The Cripple of Innishman [Play]. [Origination of the work by Martin McDonough]. [Artistic direction by Scott Zigler]. American Repertory Theatre, Cambridge, MA: Harvard. 

Eginton, M. L., & American Repertory Theatre. (Choreographer). (1999). The Master Builder [Play]. [Origination of the work by Ibsen]. [Artistic direction by Kate Whoriskey]. American Repertory Theatre, Cambridge, MA: Harvard. 

Eginton, M. L., & American Repertory Theatre. (Movement Coach). (1998). Marriage of Bette and Boo [Play]. [Origination of the work by John Guare]. [Artistic direction by Marcus Stern]. American Repertory Theatre, Cambridge, MA: Harvard. 

Eginton, M. L., & American Repertory Theatre. (Movement Coach). (1998). Phaedra [Play]. [Origination of the work by Racine]. [Artistic direction by Liz Diamond]. American Repertory Theatre, Cambridge, MA: Harvard. 

Eginton, M. L., & American Repertory Theatre. (Choreographer). (1998). The Idiots Karamazov [Play]. [Origination of the work by Chrstopher Durang]. [Artistic direction by Karin Coonrod]. American Repertory Theatre: Harvard. 

Eginton, M. L., & American Repertory Theatre. (Movement Coach). (1998). The Imaginary Invalid [Play]. [Origination of the work by Moliere]. [Artistic direction by Andrei Belgrader]. American Repertory Theatre, Cambridge, MA: Harvard. 

Eginton, M. L., & American Repertory Theatre. (Movement Coach). (1998). The Taming of the Shrew [Play]. [Origination of the work by Shakespeare]. [Artistic direction by Andrei Serban]. American Repertory Theatre, Cambridge, MA: Harvard. 

Eginton, M. L. (Actor, The Ballerina). (1991). Chelsea Walls [Play]. [Origination of the work by Nicole Burdette]. [Artistic direction by Ed Sherin]. Naked Angels, New York, NY: Naked Angels Theatre Company. 

Eginton, M. L. (Actor). (1991). Forgetting Frankie [Play]. [Origination of the work by Annie Evans]. [Artistic direction by Melia Bensussen]. Manhattan Class Company, New York, NY: Manhattan Class Company, New York, NY. 

Eginton, M. L. (Actor). (1990). Easter [Play]. [Origination of the work by Strindberg]. [Artistic direction by Herbert Berghof]. HB Studios: HB Studios. 

Eginton, M. L. (Understudy Actor). (1990). Summer Wind [Play]. [Origination of the work by Frank Pugliese]. [Artistic direction by Gareth Williams]. Naked Angels, New York, NY: Nake Angels Theatre. 

Eginton, M. L. (The Post Modern Soloist). (1989). "Bill Irwin's Largely New York" [Play]. [Origination of the work by Bill Irwin and Friends]. [Artistic direction by Bill Irwin]. St. James Theatre, New York, NY: Kenneth Feld, James Friedman. 

Eginton, M. L. (The Post Modern Soloist). (1989). "Bill Irwin's Largely New York" [Play]. [Origination of the work by Bill Irwin and Friends]. [Artistic direction by Bill Irwin]. The Kennedy Center, Washington DC: The Kennedy Center. 

Eginton, M. L. (The Post Modern Soloist). (1988). "Bill Irwin's Largely New York" [Play]. [Origination of the work by Bill Irwin and Friends]. [Artistic direction by Bill Irwin]. Seattle Repertory Theatre, Seattle WA: Seattle Repertory Theatre. 

Eginton, M. L. (The Post Modern Soloist). (1988). "Bill Irwin's Largely New York" [Play]. [Origination of the work by Bill Irwin]. City Center, New York: City Center. 

Eginton, M. L. (Actor). (1987). Cold Harbor [Play]. [Origination of the work by Conceived by Bill Raymond]. [Artistic direction by Bill Raymond]. New York Public Theater, New York, NY: Public Theatre. 

Eginton, M. L. (Leading Dancer, 1984-1987). (1987). Stephen Petronio Dance Company [Dance]. [Origination of the work by Stephen Petronio]. International Touring: various. 

Eginton, M. L. (Leading Dancer). (1986). Stephen Petronio Company [Dance]. [Origination of the work by Stephen Petronio]. International Tour: various. 

Eginton, M. L., & Stephen Petronio Dance Company. (Leading Dancer). (1985). Adrift (With Clifford Arnell) [Post Modern Dance]. [Origination of the work by Stephen Petronio]. [Artistic direction by Stephen Petronio]. Dancespace, St. Marks Church NYC, Videocassette: NTSC color broadcast system: New York, NY: New York Public Library. 

Eginton, M. L., & Komar and Melamid. (Choreographer and Dancer). (1984). From the Kitchen [Dance Film]. [Origination of the work by Meg Eginton]. Videocassette: NtSC color broadcast system: New York, NY: The Kitchen Center for Music and Dance. 

Eginton, M. L., & Merce Cunningham Dance Company. (Leading Dancer). (1983). Quartet, Gallopade, Duets (and) Trails [Modern Dance]. [Origination of the work by Merce Cunningham]. DVD video: NTSC color broadcast system: New York, NY: Cunningham Dance Foundation. 

Eginton, M. L. (Choreographer and Dancer). (1982). Bridgedance [Modern Dance]. [Origination of the work by Meg Eginton]. Dance Theatre Workshop, VHS tape: NTSC color broadcast system: New York, NY: Dance Theatre Workshop. 

Eginton, M. L. (Leading Dancer, 1977-1980). (1980). Merce Cunningham Dance Company [Dance]. [Origination of the work by Merce Cunningham]. [Artistic direction by Merce Cunningham, John Cage, Jasper Johns, Mark Lancaster]. International and national touring: Merce Cunningham Dance Foundation. 

Eginton, M. L. (Dancer). (1977). Glassed Imagination II [Post Modern Dance]. [Origination of the work by Mary Overlie]. Videocassette: NTSC color broadcast system: New York, NY: Holly Solomon Gallery. 

Eginton, M. L. (Dancer). (recorded 2012, April). Exchange [Dance]. [Film], LIncoln Center, New York, NY. 

Eginton, M. L. (The Post Modern Soloist). (recorded 2008). Bill Irwin's Largely New York [Broadway Show]. PBS. 

Eginton, M. L., Bill Irwin, Julie Taymor, Robin Williams, John Guare, Geoff Hoyle, Michael O'Connor, Doug Skinner, David Shiner, Paxton Whitehead, Leon Chesney, & Steve Clemente. (The Post Modern Solist). (recorded 2004). Bill Irwin: Clown Prince [Documentory]. [DVD], New York, NY: WNET. 

Eginton, M. L., Merce Cunningham, John Cage, Charles Atlas, & Merce Cunningham Dance Company. (Dancer). (recorded 1999). Merce Cunningham: Interview and Film Series, Part IV [Documentary]. [DVD: NTSC color broadcast system], Boston, MA: WNET. 

Eginton, M. L. (Actor, Gail). (recorded 1993). Scent of a Woman [Movie]. [DVD], Universal Artists, Los Angeles, CA. 

Eginton, M. L. (Actor). (recorded 1993). Six Degrees of Separation [Movie]. [DVD], Metro Goldwyn Mayer, Los Angeles. 

Eginton, M. L., & Bill Irwin, C. (The Post Modern Soloist). (recorded 1989). Largely New York [St. James Theatre/ Broadway Show/ Kennedy Center Show]. [Videocassette: NTSC color broadcast system], New York, NY: New York Public Library, Billy Rose Theatre Collection. 

Eginton, M. L., Mary Ellen Strom, & Phil Sandstrom. (actor/dancer). (recorded 1989). Nuts (Homage to Freud) [Post Modern Performance]. New York, NY: Dance Theatre Workshop. 

Eginton, M. L. (Dancer, Award Recipient). (recorded 1987). The Bessies [Performance and Acceptance of Award]. [Videocassette: NTSC color broadast system], New York, NY: New York Public Library. 

Eginton, M. L., & Denise Mostacci. (Choreographer and Dancer). (recorded 1987). Le lac d'Annency [Modern Dance]. [Videocassette: NTSC color broadcast system], New York, NY: Video D Studios, Dance Theatre Workshop. 

Eginton, M. L., Stephen Petronio, & David Linton. (Leading Dancer). (recorded 1987). Simulacrum Reels [Post Modern Dance]. Dance Theatre Workshop, International Touring. 

Eginton, M. L., & Michael Blackwood. (Leading Dancer, Stephen Petronio Dancers). (recorded 1986). Retracing steps: American dance since postmodernism [Documentary]. [videocassette: NTSC color broadcast system], New York, NY: New York Public Television. 

Eginton, M. L., Stephen Petronio and Dancers, Ken Tabachnick, & Lenny Pickett. (Leading Dancer). (recorded 1986). Stephen Petronio and Dancers [Post Modern Dance Film]. [Videocassette: NTSC color broadcast system], New York, NY: Video D. 

Eginton, M. L. (Dancer). (recorded 1985). Fractions I and II [Dance Film]. [Videocassette: colorbroadcast system], New York, NY: Cunningham Dance Foundation. 

Eginton, M. L., & Stephen Petronio Dance Company. (Leading Dancer). (recorded 1985). The Sixth Heaven [Post Modern Dance]. [International Touring, Videocassette: NTSC color broadcast system], New York, NY: Video D. 

Eginton, M. L., & Meg Eginton and Dancers. (Choreographer and Performer). (recorded 1984). Chin Music [Modern Dance, Play]. New York, NY: Dance Theatre Workshop. 

Eginton, M. L., & Bensard, P. (Dancer/Choreographer). (recorded 1983). Making Dances in New York [Film]. [film], Paris, FR: La Cinemateque de la Danse. 

Eginton, M. L., & Merce Cunningham Dance Company. (Leading Dancer). (recorded 1982). Locale, 10's with shoes (and) Numbers [Modern Dance]. [DVD: NTSC color broadcast system], New York, NY: Cunningham Dance Foundation. 

Eginton, M. L. (Leading Dancer). (recorded 1981). Roadrunners (and) Channels Inserts [Modern Dance]. [DVD: NTSC color broadcast system], New York, NY: Cunningham Dance Foundation. 

Eginton, M. L. (Dancer). (recorded 1980). Locale [Dance Film]. [Videocassette: NTSC color broadcast system], New York, NY: Cunningham Dance Foundation. 

Eginton, M. L., & Merce Cunningham Dance Company. (Leading Dancer). (recorded 1980). Roamin I [Dance Film]. [Videocassette: NTSC color broadcast system], New York, NY: Cunningham Dance Foundation. 

Eginton, M. L. (Leading Dancer). (recorded 1979). Locale [Dance Film]. [Film], New York, NY. Cunningham Dance Foundation. 

Eginton, M. L. (Leading Dancer). (recorded 1978). Exchange [Dance Film]. [Film], New York, NY; Berkeley, CA. Cunningham Dance Foundation. 

Eginton, M. L. (Leading Dancer). (recorded 1978). Fractions [Dance Film]. [Film], New York, NY Merce Cunningham Foundation. 

Eginton, M. L., & Merce Cunningham Dance Company. (Dancer). (recorded 1978). Roundabout Event [Modern Dance]. New York, NY: Merce Cunningham Dance Foundation. 

Non-Juried Performances

Eginton, M. L., Charles, M., McKee, K., Benenke, B., & Samouli, A. (Choreographer). (2012, November). Homage (a Matisse) [Modern Ballet]. [Origination of the work by Meg Eginton]. [Artistic direction by Hilary Harper-Wilcoxen]. Cox Theatre: Principia College. 

Eginton, M. L., Charles, M., & Benenke, B. (Choreographer). (2012, April). Antibes [Contemporary Dance]. [Origination of the work by Meg Eginton]. [Artistic direction by Hilary Harper-Wilcoxen]. Cox Theatre: Principia College. 

Eginton, M. L. (Director). (2012, January). Romeo and Juliet [Theatre and Dance]. [Origination of the work by Shakespeare, Sir Kenneth McMillan]. [Artistic direction by Margaret Eginton, Amanda McKerrow, John Gardner]. Davis Theatre: Principia College. 

Eginton, M. L. (Acting Coach). (2011). Le Jardin aux Lilas [Ballet]. [Origination of the work by Antony Tudor]. [Artistic direction by Amanda McKerrow and John Gardner]. Tudor Trust, St. Louis, MO: Tudor Trust. 

Eginton, M. L., & Little, W. I. (Movement Coach and Choreographer). (2010, May). Dutchman [Play]. [Origination of the work by Amiri Baraki]. [Artistic direction by Will Little]. Jane B. Cook Theatre, Sarasota, FL: FSU/Asolo Conservatory. 

Eginton, M. L., Franklin, K., & Miller, M. J. (Director). (2010, April). The Rachel Corrie Project [Physical Theatre]. [Origination of the work by Kirstin Franklin from Rachel Corrie's family emails and letters]. Jane Be Cook Theatre, Sarasota, FL: FSu/Asolo Conservatory, St. Olaf College. 

Eginton, M. L., Forsythe, E., Kelly, H., Walker, D., Perrot, N., Akbar, G., & Jones, D. (Director/Choreographer). (2009, August). Man With Blue Guitar [Play]. [Origination of the work by David Smith]. Studio@620, St. Petersburg, Sarasota Arts Center, Sarasota, FL: David Smith. 

Eginton, M. L., & Jakobsen, E. P. (Writer/director/choreographer). (2009, June). Rat Race: The Secret Life of Theme Park [Physical Theatre]. [Origination of the work by Margaret Eginton and Eric Paul Jakobsen]. Jane B. Cook Theatre: self. 

Eginton, M. L. (Performer). (1997). Rhythm Rambling [Performance Art]. [Origination of the work by Eginton]. Window of Hands Jewelry: Iowa City, IA: Inner Ear. 

Eginton, M. L., & Rodin, M. (Writer/Director). (1996). Dirt [Interdisciplinary Performance Piece]. [Origination of the work by Margaret Eginton]. David Thayer Theatre, The University of Iowa: Iowa City, Iowa: Theatre Arts. 

Eginton, M. L., & Conroy, M. (Deviser). (1995). Heiner Mueller 1 2 3 [Interdisciplinary Performance]. [Origination of the work by Hiener Mueller (devised by Eginton)]. [Artistic direction by Maggie Conroy/Inner Ear]. Iowa City Arts: Inner Ear. 

Information and Communication Technology

Internet Web Site Development

Eginton, M. L. (2012). Leftbankdance.com. Retrieved from Left Bank Dance: leftbankdance.com

Eginton, M. L., & Kusmiercyzk, J. (2010). Egintonalignment.com. Retrieved from Eginton Alignment: http://egintonalignment.com

Contracts and Grants

Contracts and Grants Funded

Eginton, M. L. (Mar 2013–Apr 2013). Direction of "Blackbird" play by David Harrower. Funded by Riverside Theatre, Iowa City, IA. Total award $1,500. 

Eginton, M. L., McKerrow, A., Gardner, J., Harper, H., Steele, C., & Charlston, L. (Jan 2013–Jan 2013). Dance and Theatre Cross-Disciplinary Dance and Theatre Immersion Workshop and Documentary Filming. Funded by Principia College, Christine Dunbar Fund, Antony Tudor Ballet Trust. Total award $6,000. 

Eginton, M. L. (Sep 2012–Nov 2012). Homage (a Matisse). Funded by Christine Dunbar Dance Fund. Total award $2,000. 

Eginton, M. L. (Dec 2011–Apr 2012). Antibes. Funded by Christine Dunbar Dance Fund. Total award $2,000. 

Eginton, M. L. (May 2011–May 2011). Cezanne's Doubt. Funded by Sarasota Ballet. Total award $1,250. 

Eginton, M. L. (Jan 2011–Apr 2011). Cezanne's Doubt. Funded by Christine Dunbar Fund. Total award $1,500. 

Eginton, M. L. (Jan 2011–Jan 2011). Interdisciplinary Performance in Theory and Practice. Funded by New College of Florida. Total award $3,000. 

Eginton, M. L. (Dec 2010–Dec 2010). Antony Tudor Trust Curriculum Development. Funded by Antony Tudor Trust. Total award $1,500. 

Eginton, M. L. (Jan 2010–Jan 2010). Non-Traditional Compositional Forms. Funded by New College of Florida. Total award $2,750. 

Eginton, M. L. (Dec 2009–Mar 2009). New College Faculty/Student Thesis Support Grant. Funded by New College of Florida. Total award $2,000. 

Eginton, M. L. (Nov 2009–Nov 2009). Living and Dead: The Gettysburg Project. Funded by New College, New Music/ Commission. Total award $1,800. 

Eginton, M. L. (Nov 2009–Nov 2009). Period Etudes. Funded by Atlantic Theater. Total award $2,300. 

Eginton, M. L. (Aug 2009–Sep 2009). Man With Blue Guitar. Funded by David Smith. Total award $2,700. 

Eginton, M. L. (Jul 2009–Jul 2009). Advanced Acting Workshop. Funded by Atlantic Theater. Total award $7,300. 

Eginton, M. L. (Feb 2009–Feb 2009). Eginton Alignment Workshop. Funded by Principia College. Total award $3,000. 

Eginton, M. L. (Jan 2009–Jan 2009). Viewpoints, Sound, and Text Workshop. Funded by New College of Florida. Total award $2,750. 

Eginton, M. L. (Jul 2008–Jul 2009). Advanced Acting Workshop. Funded by Atlantic Theater Company. Total award $7,300. 

Eginton, M. L. (Feb 2008–May 2008). Viewpoints Workshop. Funded by Student Appointed Professor. Total award $2,500. 

Eginton, M. L. (Jan 2008–Jan 2008). Eginton Alignment Workshop. Funded by New College of Florida. Total award $2,000. 

Eginton, M. L. (Oct 2007–Oct 2007). My Mocking Happiness. Funded by Ruth Haddam Trust Grant. Total award $1,000. 

Eginton, M. L. (Oct 2007–Oct 2007). My Mocking Happiness, Russia. Funded by Amicus Foundation. Total award $2,000. 

Eginton, M. L. (Oct 2007–Oct 2007). My Mocking Happiness. Funded by Various Individuals including Bill Irwin, Bill Eginton, Al Pacino, SASBC book club. Total award $2,200. 

Eginton, M. L. (Sep 2007–Oct 2007). Amicus Foundation Grant -- My Mocking Happiness, Russia. Funded by Amicus Foundation. Total award $3,000. 

Eginton, M. L. (Jul 2007–Jul 2007). Advanced Acting Workshop. Funded by Atlantic Theater. Total award $5,000. 

Eginton, M. L., & Malaev, A. (May 2007–Oct 2007). My Mocking Happiness/Space Grant. Funded by Backlot Arts 2007. Total award $1,500. 

Eginton, M. L. (Jan 2007–Jan 2007). Voice and Movement Workshop. Funded by NewCollege of Florida. Total award $2,000. 

Eginton, M. L., & Malaev, A. (2007–2007). TMU My Mocking Happiness. Funded by Trust for Mutual Understanding. Total award $5,000. 

Eginton, M. L., & Malaev, A. (2007–2007). Kennan -- My Mocking Happiness. Funded by Kennan Institute for Slavic Studies at the Smithsonian. Total award $3,000. 

Eginton, M. L. (Oct 2006–Oct 2006). Greek Women in Love. Funded by International Institute for the Performing Arts, Paris FR. Total award $3,000. 

Eginton, M. L. (Jun 2005–Jul 2005). Boston Marriage. Funded by La Foire Saint Germain. Total award $1,500. 

Eginton, M. L. (Jun 2005–Jul 2005). FSU/Asolo Moliere in Paris Trip. Funded by International Institute for Performing Arts. Total award $4,500. 

Eginton, M. L., Irwin, P., & Just Above Midtown Gallery. (1986–1986). Wind Shear. Funded by New York State Council on the Arts. Total award $2,500. 

Eginton, M. L. (Jul 1985–Jul 1985). Meg Eginton and Dancers. Funded by Commune di Napoli. Total award $4,000. 

Eginton, M. L. (1985–1985). Meg Eginton and Dancers. Funded by JCT/Dance Chance Grant. Total award $3,000. 

Eginton, M. L. (1984–1984). Meg Eginton and Dancers/Year long project. Funded by JCT Foundation/Dance Chance Grant. Total award $3,000. 

Eginton, M. L. (May 1983–May 1983). Meg Eginton and Dancers. Funded by Commune di Roma, Rome IT. Total award $3,000. 

Eginton, M. L. (1983–1983). Meg Eginton and Dancers. Funded by JCT Foundation/ Dance Chance Grant. Total award $1,500. 

Eginton, M. L. (1981–1981). Meg Eginton and Dancers. Funded by Spazio Zero, Commune di Roma, Rome IT. Total award $2,000. 

Contracts and Grants Pending

Eginton, M. L., & Harper, H. (Jan 2013). New dance work. Submitted to Christine Dunbar Dance Fund. 

Additional Research or Original Creative Work Not Reported Elsewhere

Eginton, M. L. (2010). Eginton Alignment Daily Dozen Manual. Eginton Alignment. 

Eginton, M. L., & Jakobsen, E. P. (2010). Script: Rat Race: The Secret Life of Theme Park. Margaret Eginton and Eric Paul Jakobsen. 

Eginton, M. L., & Miles, S. (2010). Score: Living and Dead: The Gettysburg Project. Margaret Eginton and Steve Miles. 

Eginton Alignment Daily Dozen Audio CD

Eginton, M. L. (2011). Audio CD of Daily Dozen Series. Eginton Alignment. 

Service

I believe that service to the University and the College is important to the health of the FSU/Asolo Conservatory, as it connects us to the larger university community. I have enjoyed doing this work. Service to the Profession and the helps the conservatory, because it keeps me keep abreast of standards of excellence and employability that will help our students upon graduation. The service to the community that I engage in that is related to the arts of theatre and dance keep me current in my artistic fields and inspire my creative work. I am actively involved in community and professional service in both theatre and dance. 

Florida State University

FSU College Service

Member, Promotion and Tenure (2002–2008).

Interim Director, FSU/Asolo Conservatory (2004–2005).

Member, Search, Director FSU/Asolo Conservatory (2004).

FSU Department Service

Evaluator, Member, MFA Qualifying Exam Committee (2002–present).

Member, Casting, FSU/Asolo Conservatory (2002–present).

Member, Search, First Year Acting Teacher (second search), FSU/Asolo Conservatory (2007).

Member, Search, First Year Acting Teacher, FSU/Asolo Conservatory (2006).

Member, Season Planning, FSU/Asolo Conservatory (2002–2005).

Member, Search, Voice and Speech Teacher FSU/Asolo Conservatory (2003–2004).

FSU Program Service

Asolo Theatre examiner, Equity Movement Examiner (2009–present).

workshop leader, attend events, create showings of movement program, Donor Events (2004–present).

recruit and organize, Visiting Movement Teacher Coordinator (2003–present).

adjudicator, Sarasota Auditions (2003–present).

The Profession

Exhibitions Curated

Cotton: The FIber of Your Being (photography exhibit of south Indian cotton farmers -- one farmer commits suicide approximately every 30 minutes due to economic and spiritual hardship. Photos by Fulbright scholar Aaron McMullin. Left Bank Dance: Left Bank Dance (2013).

Service to Professional Associations

Founder, Community dance classes, consulting organization for higher education and business wanting to use dance in their programs, offers ballet institutes, gallery space for photographs, space grants for choreographers and dancers to for rehearsals, Left Bank Dance (2012–present).

Artistic Advisory Board Member, Serve on board for new theatre company which presents nordic playwrights. FSU/Asolo Conservatory graduate Kirstin Franklin is a member of this company and asked me to serve, Aquavit Theatre (2012–present).

Artistic Advisory Board, Alliance of dance artists and companies throughout the Sarasota and Manatee Counties. Work on the building committee, planning and fundraising for a shared use space for community dance, theatre, and visual arts, Sarasota-Manatee Dance Alliance (2011–present).

Board Member, Board of Directors, Fuzion Dance Artists (2010–present).

Advisory Board, International Institute for Performing Arts (2008–present).

Interviews

Charlston, L., & Harper, H. (2013, December). Immersion in Dance and Theater. Documentary Footage [video]. 

Kathie Basset. (2013, January). Dance Intensive. Alton Daily Telegraph [newspaper]. 

Service to Other Universities

New Black Box Theatre Policy Committee Member. Responsible for consulting with Dean of Students, Chair of Humanities, other faculty, and students to develo usage policy for the new Black Box theatre, New College of Florida (2010–present). 

Black Box Planning Group. Responsible for working with architects and experts in the designing of the new theatre, New College of Florida (2009–2010). 

The Community

Guest Teacher, Class in Commedia dell'Arte for 11th and 12th grade actors, Booker High School Visual and Performing ArtsMagnet Program (2011).

Volunteer and Workshop Leader, Organization providing material support and skills education to women coming out of prison or rehab. I volunteer time and teach presentation skills for job seeking, Second Chance, Last Opportunity (2009–2010).

Teacher/coach of breath, movement, voice, Free Coaching for local actors and singers in alignment, monologues, and movement. 8 actors and singers, Eginton Alignment Free Coaching for Actors and Singers (2009).

Teacher Practioner, Free hands on alignment work for Sarasota community participants. 10 people, ranging in age form 16-78. Various injuries and health conditions. July 12- 31, Eginton Alignment Free hands-on work (2009).

Teacher, Free community classes in The Daily Dozen, Free Eginton Alignment Classes (2009).

Placed Combat Teacher, At request of high school drama teacher, sent two FSU/Asolo conservatory students to teach unarmed combat to high school actors, Riverview High School (2003–2009).

Co-ordinator, Antonio Fava Visit to Sarasota: Riverview High School, FSU/Asolo Conservatory, Asolo Theatre Education Department. Coordinated budget and scheduling of Commedia del'Arte master teacher and performer. Produced performance. Arranged for joint classes between Riverview students and FSU/Asolo students, Riverview High School/Asolo Theatre/ FSU/Asolo Conservatory (2005).

Consultation

New College of Florida, NCF Foundation. Black Box Planning Committee; Black Box Policy Committee; consultation on TD hire, contact with FSU Robert Coleman, Head Technical Theatre (2009–present).

New College of Florida. Consultant to the Arts Master Plan Committee at New College; presented a report with a master plan for a joint dance/theatre program or Area of Concentration (department), and an overview of the theatre and dance activities at New College (2009).

Consultant to Wendy Kesselman, Jeanne Moreau. Movie: She Loves Me, She Loves Me Not (Jeanne Moreau, Claire Danes). Consultant on how to stage a drowning scene for Madame Moreau (1995).

Party Girl, Movie. Consultant to Daisy Mayer, director of movie, about how to stage crowd scenes with only a few people, and dance parties (1993).

Additional Service Not Reported Elsewhere

Eginton, M. L. (2010). Donor Showings: Twice Yearly one hour long Movement performances of student work for Conservatory donors. FSU/Asolo Conservatory. 

Eginton, M. L. (2010). Donor Workshops in Period Style Behavior. FSU/Asolo Conservatory. 

Eginton, M. L. (2009). Donor Workshop in Walking, Sitting, and Standing in Good Alignment. FSU/Asolo Conservatory Donors.